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Gareth von Kallenbach (980 KP) rated Call of Duty: Infinite Warfare - Absolultion in Video Games
Jun 19, 2019
The third of a planned four content packs for Call of Duty: Infinite Warfare has arrived with Absolution. The collection was first available for the Playstation 4 system and was released for the Xbox One and PC platforms about five weeks later and contains the usual offerings of four new maps and a new chapter for the Zombie mode of the game.
The maps are as follows…
Ember
This is a remake of the classic map “Resistance” From the castle lined landscape to the close-quarters fighting in rooms like gallows or a torture area this is a great map for those looking to run and gun.
Bermuda
This is a fun map based on a Shanty Town fishing village. There are locales ranging from a Fish Market to a Lighthouse and the mix of colors and action make this one really enjoyable.
Permafrost
This is a frozen landscape set in the ruins of a city. The map has several open areas where players can attack from above thanks to holes in the roof and streets. The debris strewn map offers plenty of cover but also numerous places for enemies to attack from all angles.
Fore
This is a large map that is so much fun to play. Set in a mini-golf course, players can run into the arcade, putting areas, and props to attack the enemy. There is plenty of cover and also terrain that is uneven giving a new and diverse set of challenges to players.
While the new maps are lots of fun, the main draw of the collection was the latest chapter in the Zombie mode where four aspiring actors are drawn into actual horror films by a demented Director.
The previous chapters have given us an 80s theme park, a 90s Summer Camp, and a 70s Disco Infused Martial Arts setting. This time out, Attack of the Radioactive things lets players play with and interact with Elvira in a 1950s Atomic Monster setting. The mode starts in Black and White before moving to color and even allows for a red tint Chroma mode.
Of course waves of Zombies and other terrors await and players must run and fight to survive.
This has been another winning collection for Infinite Warfare. While it does not offer anything radically new or different, it does offer plenty of fun and will increase your enjoyment of the game.
I am looking forward to seeing the final pack, around October ahead of the new Call of Duty: World War 2.
http://sknr.net/2017/08/13/call-duty-infinite-warfare-absolution-dlc/
The maps are as follows…
Ember
This is a remake of the classic map “Resistance” From the castle lined landscape to the close-quarters fighting in rooms like gallows or a torture area this is a great map for those looking to run and gun.
Bermuda
This is a fun map based on a Shanty Town fishing village. There are locales ranging from a Fish Market to a Lighthouse and the mix of colors and action make this one really enjoyable.
Permafrost
This is a frozen landscape set in the ruins of a city. The map has several open areas where players can attack from above thanks to holes in the roof and streets. The debris strewn map offers plenty of cover but also numerous places for enemies to attack from all angles.
Fore
This is a large map that is so much fun to play. Set in a mini-golf course, players can run into the arcade, putting areas, and props to attack the enemy. There is plenty of cover and also terrain that is uneven giving a new and diverse set of challenges to players.
While the new maps are lots of fun, the main draw of the collection was the latest chapter in the Zombie mode where four aspiring actors are drawn into actual horror films by a demented Director.
The previous chapters have given us an 80s theme park, a 90s Summer Camp, and a 70s Disco Infused Martial Arts setting. This time out, Attack of the Radioactive things lets players play with and interact with Elvira in a 1950s Atomic Monster setting. The mode starts in Black and White before moving to color and even allows for a red tint Chroma mode.
Of course waves of Zombies and other terrors await and players must run and fight to survive.
This has been another winning collection for Infinite Warfare. While it does not offer anything radically new or different, it does offer plenty of fun and will increase your enjoyment of the game.
I am looking forward to seeing the final pack, around October ahead of the new Call of Duty: World War 2.
http://sknr.net/2017/08/13/call-duty-infinite-warfare-absolution-dlc/
Gareth von Kallenbach (980 KP) rated Jason X (2001) in Movies
Aug 14, 2019
Just when you thought it was safe to return to the local theater, along comes “Jason X”, the tenth installment of the popular Friday the 13th series. Having grown tired of the summer camp settings of the majority of the series the creators set recent installments in New York City as well as played with the formula by having Jason possess people as was shown in the last two films of the series.
This is a new era and this time Jason is back to his old tricks in an entirely new setting. After being cryogenically frozen in 2010, Jason and a female scientist are discovered by a student survey team and revived in the year 2455 where Earth has become uninhabitable. Warnings about Jason and his ability to regenerate from any injury are unheeded as the lure of big money is motivating the group’s leader Professor Lowe (Johnathan Potts) rather than the safety of the students and crew of the ship. Before long, Jason is up to his old tricks increasing his body count as he unleashes new and gruesome ways to dispatch the crew.
Being a horror film, the plot is secondary to the action and director James Isaac does not let the film get overly serious and even pokes fun at itself and the series. There are a number of lines and situations where the audience could ask if the characters could be any dumber, however in an interesting twist, these sort of situations as well as others are setup and carried off with intentional comedic results that had the audience laughing and thus providing a nice break from the scares and gore.
The cast is made up of largely unknowns and they are about as forgettable as the movie as they exist to be little more than fodder for Jason. I found it interesting to note that by the year 2455, students are still as ditzy as they are portrayed in 2002, and have libidos that make the 1984 LA Lakers look like a Vestal Virgin convention. That being said, “Jason X” is a standard horror film that has a few twists for the audience. Although you will have seen all of this before, the space setting and the humor helps make the film stand out from some of the stale installments of the series, but the lack of a story and character development keeps this film from being a true Horror classis. My advice, if you are a fan of the series gather your friends and wait for the video.
This is a new era and this time Jason is back to his old tricks in an entirely new setting. After being cryogenically frozen in 2010, Jason and a female scientist are discovered by a student survey team and revived in the year 2455 where Earth has become uninhabitable. Warnings about Jason and his ability to regenerate from any injury are unheeded as the lure of big money is motivating the group’s leader Professor Lowe (Johnathan Potts) rather than the safety of the students and crew of the ship. Before long, Jason is up to his old tricks increasing his body count as he unleashes new and gruesome ways to dispatch the crew.
Being a horror film, the plot is secondary to the action and director James Isaac does not let the film get overly serious and even pokes fun at itself and the series. There are a number of lines and situations where the audience could ask if the characters could be any dumber, however in an interesting twist, these sort of situations as well as others are setup and carried off with intentional comedic results that had the audience laughing and thus providing a nice break from the scares and gore.
The cast is made up of largely unknowns and they are about as forgettable as the movie as they exist to be little more than fodder for Jason. I found it interesting to note that by the year 2455, students are still as ditzy as they are portrayed in 2002, and have libidos that make the 1984 LA Lakers look like a Vestal Virgin convention. That being said, “Jason X” is a standard horror film that has a few twists for the audience. Although you will have seen all of this before, the space setting and the humor helps make the film stand out from some of the stale installments of the series, but the lack of a story and character development keeps this film from being a true Horror classis. My advice, if you are a fan of the series gather your friends and wait for the video.
365Flicks (235 KP) rated Pitching Tents (2017) in Movies
Nov 20, 2019
If you have ever taken the time to listen to our Podcast you will have figured out that I am a big fan of Kevin Smith, John Hughes, Cameron Crowe dialogue heavy story driven movies. Throw one of those coming of age end of summer type movies and ill eat them up like a bowl of Shreddies (Other cereals are available I just happen to be eating a bowl as I write this).
Pitching Tents is exactly this type of movie. Its 1984 its the end of the school year and Danny (Micheal Grant) has very little clue what he is going to do with his life past High School, before he has to really worry about any of that he is having one last weekend at Trout Camp with his buddies. However before his weekend can really begin he is cornered by over zealous guidance counselor Mr. Mulligan (Jim Norton) who has pretty much guaranteed Danny a place at a good college. Obviously though things are never that simple because Danny’s dad (Eric Allan Kramer) has gone to the liberty of securing him a job at the local factory.
Torn between his passion for Art and his desire to please his father, Danny has a tough life choice ahead of him. Of course that can wait because a weekend of smoking weed, contemplating life, trying to get laid lies ahead of Danny and his closest friends. You know standard Dazed and Confused territory.
You could argue that there is not really anything original here and you would right, we have seen these movies before and often done better. However I personally felt the Tug of War between Danny, his father and the Counselor is an interesting spin of the teen coming of age drama. Add to this the supporting cast of friends all hugely believable and relate-able with good turns from Disney alumni BooBoo Stewart (Descendants) as Todd and everyone’s favorite child star Jonathan Lipnicki (who is all growed up nowadays) as Scott. Then there is the final third of the movie in which Danny is to make his choice and the movie shows a level of maturity rarely seen in this type of Flick. Props to director Jacob Cooney on this count.
This is a recommend if these movies take your fancy, I know they are not for everyone but personally it ticked a lot of my boxes, and its always good to see what Lipnicki is doing these days. Oh then theres the soundtrack, typical 80s movie soundtrack, but hey who doesnt love that.
Pitching Tents is exactly this type of movie. Its 1984 its the end of the school year and Danny (Micheal Grant) has very little clue what he is going to do with his life past High School, before he has to really worry about any of that he is having one last weekend at Trout Camp with his buddies. However before his weekend can really begin he is cornered by over zealous guidance counselor Mr. Mulligan (Jim Norton) who has pretty much guaranteed Danny a place at a good college. Obviously though things are never that simple because Danny’s dad (Eric Allan Kramer) has gone to the liberty of securing him a job at the local factory.
Torn between his passion for Art and his desire to please his father, Danny has a tough life choice ahead of him. Of course that can wait because a weekend of smoking weed, contemplating life, trying to get laid lies ahead of Danny and his closest friends. You know standard Dazed and Confused territory.
You could argue that there is not really anything original here and you would right, we have seen these movies before and often done better. However I personally felt the Tug of War between Danny, his father and the Counselor is an interesting spin of the teen coming of age drama. Add to this the supporting cast of friends all hugely believable and relate-able with good turns from Disney alumni BooBoo Stewart (Descendants) as Todd and everyone’s favorite child star Jonathan Lipnicki (who is all growed up nowadays) as Scott. Then there is the final third of the movie in which Danny is to make his choice and the movie shows a level of maturity rarely seen in this type of Flick. Props to director Jacob Cooney on this count.
This is a recommend if these movies take your fancy, I know they are not for everyone but personally it ticked a lot of my boxes, and its always good to see what Lipnicki is doing these days. Oh then theres the soundtrack, typical 80s movie soundtrack, but hey who doesnt love that.
Eleanor Luhar (47 KP) rated Butter in Books
Jun 24, 2019
I remember my friend talking about this book a while ago, but I didn't know anything about it. But then I saw it on Goodreads and decided to check it out of my library.
'Butter' is big. Like, 423 pounds big. He has no friends, unless you count Doc Bean or the Professor.
Despite spending many summers at FitFab - a summer camp for the slightly -ahem- larger population of kids - he just can't seem to shed the excess weight. In fact, all he ever seems to do is gain more.
Butter also has a crush. But he knows he doesn't have a shot with the gorgeously skinny Anna, so he talks to her anonymously via the internet. Under the handle "SaxMan" and with the alias of JP, Butter promises Anna that they'll get to meet each other on New Year's Eve. Little does she know, Butter has a more deadly plan ready for the last day of the year.
After launching ButtersLastMeal.com, Butter is swamped with new friends, asking what's on the menu for Butter's last night on earth. The popular kids are suddenly inviting him to parties every weekend, and even Anna is talking to him in real life.
But as the deadline draws closer, Butter can't decide whether to go through with his plan or not. Is he really ready to leave this life behind? Is he really willing to stay?
This novel is written in a very accurate teenage voice. As an incredibly obese teenager, Butter suffers in the social department. A lot of his problems are relatable to those of us who aren't quite society's idea of perfect. I can't say I know much about this, but I'm sure there are lost of people who could also relate to his weight and dieting issues.
Butter's real name isn't revealed until the last page, which I thought was a great touch. I didn't even notice at first; he was just Butter. But it makes a big point about how he decides to shed his old identity and move on, making a positive change to his lifestyle.
This could be a bit triggering to some people, with mentions of weight problems, dieting, eating disorders, and suicide. I did find it a bit hard to read at times because of these aspects, but none of it was talked about too much.
I raced through this, reading half of it just this morning. It's a really good read, and although it hasn't quite made its way into my favourites, I think Butter deserves 4.5 stars.
BookMarked
'Butter' is big. Like, 423 pounds big. He has no friends, unless you count Doc Bean or the Professor.
Despite spending many summers at FitFab - a summer camp for the slightly -ahem- larger population of kids - he just can't seem to shed the excess weight. In fact, all he ever seems to do is gain more.
Butter also has a crush. But he knows he doesn't have a shot with the gorgeously skinny Anna, so he talks to her anonymously via the internet. Under the handle "SaxMan" and with the alias of JP, Butter promises Anna that they'll get to meet each other on New Year's Eve. Little does she know, Butter has a more deadly plan ready for the last day of the year.
After launching ButtersLastMeal.com, Butter is swamped with new friends, asking what's on the menu for Butter's last night on earth. The popular kids are suddenly inviting him to parties every weekend, and even Anna is talking to him in real life.
But as the deadline draws closer, Butter can't decide whether to go through with his plan or not. Is he really ready to leave this life behind? Is he really willing to stay?
This novel is written in a very accurate teenage voice. As an incredibly obese teenager, Butter suffers in the social department. A lot of his problems are relatable to those of us who aren't quite society's idea of perfect. I can't say I know much about this, but I'm sure there are lost of people who could also relate to his weight and dieting issues.
Butter's real name isn't revealed until the last page, which I thought was a great touch. I didn't even notice at first; he was just Butter. But it makes a big point about how he decides to shed his old identity and move on, making a positive change to his lifestyle.
This could be a bit triggering to some people, with mentions of weight problems, dieting, eating disorders, and suicide. I did find it a bit hard to read at times because of these aspects, but none of it was talked about too much.
I raced through this, reading half of it just this morning. It's a really good read, and although it hasn't quite made its way into my favourites, I think Butter deserves 4.5 stars.
BookMarked
BankofMarquis (1832 KP) rated The Suicide Squad (2021) in Movies
Aug 8, 2021
More Fun Than I Expected
It is almost an effort in futility to review a movie such as THE SUICIDE SQUAD, for most folks fall into 1 of 2 camps:
1). Are a DC (or Comic Book Movie) Fan, and will go see this no matter what.
2). Are not of fan of the darker DCEU movies (as compared to the MCU films) and might have checked out the first SUICIDE SQUAD, but have no intention to watch this one.
This review is for the folks in the 2nd camp - for THE SUICIDE SQUAD is a fun summer action flick with silliness, action, humor and HEART at it’s core.
Directed by James Gunn (GUARDIANS OF THE GALAXY), THE SUICIDE SQUAD starts out like the first SUICIDE SQUAD film (and most of the DCEU films) - dark, gritty and intense - with a new pack of anti-heroes joining in on a fight that absolutely cements this team as THE SUICIDE SQUAD.
After that, the film makes an interesting adjustment, actually giving the audience anti-heroes that you can root for with just enough of a balance between the dark grittiness that one has come to expect from a DCEU film with a bit more humane touch that really is the hallmark of the MCU.
And, under the Direction of James Gunn, this film finds that balance very, very well.
Gunn, of course, knows how to make these films - his balance of action and character moments is accurate, his action sequences are well plotted and choreographed (no need for “shaky cam” to hide the faults) and he populates this Suicide Squad with some memorable characters.
Margot Robbie, of course, is in another stratosphere in her portrayal of Harley Quinn. This is the 3rd film that Robbie stars as Quinn and she has this part down pat. The problem with the other 2 films that she starred in as Quinn (2016’s SUICIDE SQUAD and 2020’s BIRDS OF PREY) is that she was SO GOOD in those films, that everyone else paled in comparison, but in this film, she has some strong actors/characters to play off of, and this benefits the movie.
Starting with Idris Elba as Bloodsport the “Leader” of the Squad (in essence, replacing Will Smith) and this is a smart move for Elba has the commanding presence of a Leader with that sense of foreboding that he might not be such a good guy underneath - a quality that I just didn’t buy from Smith in the first movie.
Joining Elba as characters that were interesting and strong were RatCatcher 1 (Taiki Waititi - in an extended cameo) and RatCatcher 2 (Daniela Melchior), Savant (Michael Rooker), freedom fighter Sol Soria (Sonya Braga), Thinker (Peter Capaldi) and the “Groot” of this piece, King Shark (Sylvester Stallone).
Oh…and special notice needs to be made of the character of Polka Dot Man (David Dastmalchian). Director Gunn has stated he wanted to find the dumbest villain in the DCEU and make him into one of the heroes of this piece. He found him in Polka Dot Man and is played with great pathos by Dastmalchian.
Fairing less well is the great Viola Davis as the hard-nosed Amanda Waller who seems to be still acting in the gritty, dark style of the first SUICIDE SQUAD film, so misses out on some of the fun of this film as well as Joel Kinneman as Colonel Rick Flagg (the military leader of the group). I really wasn’t invested in Flagg (or Kinneman’s portrayal of Flagg) in the first film - and I am not in this one either. He just isn’t at nearly the same level of performance as the others listed above.
Also…a note about John Cena (and his character PeaceMaker). This is the 2nd 2021 Summer Blockbuster Action flick that I have seen Cena in (following his turn in F9) and in both these films I found his performance to be “flat”. It just didn’t fill the screen, nor does he have enough charisma (a la The Rock) to charm his way through. I was bored by him in this film (as well as in F9).
But…this is a James Gunn film - and he doesn’t spend much time with the characters/actors that don’t really work, but rather, spends his camera time on the ones that do - and the over-the-top action sequences (and villain) that are filmed with a slight grin and a wink-in-the-eye.
It’s a much needed shot-in-the-arm for DCEU films, but - I’m afraid - it might be too little too late, as most folks have already tuned out the DCEU for being “too dark”. Which is too bad, for this is the fun summer blockbuster film action and comic book fans have been looking for.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(OfMarquis)
1). Are a DC (or Comic Book Movie) Fan, and will go see this no matter what.
2). Are not of fan of the darker DCEU movies (as compared to the MCU films) and might have checked out the first SUICIDE SQUAD, but have no intention to watch this one.
This review is for the folks in the 2nd camp - for THE SUICIDE SQUAD is a fun summer action flick with silliness, action, humor and HEART at it’s core.
Directed by James Gunn (GUARDIANS OF THE GALAXY), THE SUICIDE SQUAD starts out like the first SUICIDE SQUAD film (and most of the DCEU films) - dark, gritty and intense - with a new pack of anti-heroes joining in on a fight that absolutely cements this team as THE SUICIDE SQUAD.
After that, the film makes an interesting adjustment, actually giving the audience anti-heroes that you can root for with just enough of a balance between the dark grittiness that one has come to expect from a DCEU film with a bit more humane touch that really is the hallmark of the MCU.
And, under the Direction of James Gunn, this film finds that balance very, very well.
Gunn, of course, knows how to make these films - his balance of action and character moments is accurate, his action sequences are well plotted and choreographed (no need for “shaky cam” to hide the faults) and he populates this Suicide Squad with some memorable characters.
Margot Robbie, of course, is in another stratosphere in her portrayal of Harley Quinn. This is the 3rd film that Robbie stars as Quinn and she has this part down pat. The problem with the other 2 films that she starred in as Quinn (2016’s SUICIDE SQUAD and 2020’s BIRDS OF PREY) is that she was SO GOOD in those films, that everyone else paled in comparison, but in this film, she has some strong actors/characters to play off of, and this benefits the movie.
Starting with Idris Elba as Bloodsport the “Leader” of the Squad (in essence, replacing Will Smith) and this is a smart move for Elba has the commanding presence of a Leader with that sense of foreboding that he might not be such a good guy underneath - a quality that I just didn’t buy from Smith in the first movie.
Joining Elba as characters that were interesting and strong were RatCatcher 1 (Taiki Waititi - in an extended cameo) and RatCatcher 2 (Daniela Melchior), Savant (Michael Rooker), freedom fighter Sol Soria (Sonya Braga), Thinker (Peter Capaldi) and the “Groot” of this piece, King Shark (Sylvester Stallone).
Oh…and special notice needs to be made of the character of Polka Dot Man (David Dastmalchian). Director Gunn has stated he wanted to find the dumbest villain in the DCEU and make him into one of the heroes of this piece. He found him in Polka Dot Man and is played with great pathos by Dastmalchian.
Fairing less well is the great Viola Davis as the hard-nosed Amanda Waller who seems to be still acting in the gritty, dark style of the first SUICIDE SQUAD film, so misses out on some of the fun of this film as well as Joel Kinneman as Colonel Rick Flagg (the military leader of the group). I really wasn’t invested in Flagg (or Kinneman’s portrayal of Flagg) in the first film - and I am not in this one either. He just isn’t at nearly the same level of performance as the others listed above.
Also…a note about John Cena (and his character PeaceMaker). This is the 2nd 2021 Summer Blockbuster Action flick that I have seen Cena in (following his turn in F9) and in both these films I found his performance to be “flat”. It just didn’t fill the screen, nor does he have enough charisma (a la The Rock) to charm his way through. I was bored by him in this film (as well as in F9).
But…this is a James Gunn film - and he doesn’t spend much time with the characters/actors that don’t really work, but rather, spends his camera time on the ones that do - and the over-the-top action sequences (and villain) that are filmed with a slight grin and a wink-in-the-eye.
It’s a much needed shot-in-the-arm for DCEU films, but - I’m afraid - it might be too little too late, as most folks have already tuned out the DCEU for being “too dark”. Which is too bad, for this is the fun summer blockbuster film action and comic book fans have been looking for.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(OfMarquis)
The Alex Crow
Book
From the critically acclaimed author of cult teen novel Grasshopper Jungle, Andrew Smith, comes a...
Movie Metropolis (309 KP) rated Everest (2015) in Movies
Jun 11, 2019
A by the numbers adventure
The 1996 Everest disaster remains one of the greatest true stories to have ever been told. From made-for-TV movies to award-winning documentaries, it appears that audiences simply cannot get enough of this tale of survival.
Now, Universal Pictures ends its record-breaking summer campaign with Everest, a high-budget thriller based on those events in 1996. But does it get the balance between all-out spectacle and human characterisation spot on?
Everest follows the fortunes of two climbing teams planning on making it to the top of the deadly mountain. The Adventure Consultants, led by Rob Hall, and Mountain Madness, guided by Scott Fischer, all make their way to the summit of Everest, battling against horrific storms, avalanches and the mountain itself along the way.
The film features an all-star cast, something not forgotten in its marketing campaign, with the likes of Jason Clarke as Hall, Jake Gyllenhaal as Fischer, Josh Brolin, Keira Knightley, Emily Watson and Sam Worthington all making an appearance as climbers and base-camp attendees.
There’s some great talent here but Everest simply cannot cope with that many characters jostling for screen time and the majority of the cast, bar Clarke, feel like cardboard cut-outs – this is a real shame given the true-story that the writers had to work with.
Knightley in particular is wasted with only ten minutes of screen time and Brolin’s side story is never fully explored to make you remember his character – especially when the onslaught of stormy weather makes it difficult to pick out each person at a glance.
Effects-wise, this is a huge spectacle. The cinematography is absolutely astounding and every shot is filled to the brim with colours, sounds and ragged landscapes – it’s absolutely stunning.
The scenes before the mountaineers start their final climb are particularly beautiful and the summit sequences themselves feel ridiculously real, all culminating in a film that looks and sounds spectacular, but just lacks that human touch needed to make it matter.
Unfortunately, there are no risks here, despite the ones being taken by our intrepid explorers and whilst the true-story elements lend the film some gravitas, everything else feels a little clichéd with a been there, done that attitude.
Naturally, the finale is when the emotional side comes into play with a selection of real video footage and photographs. This ensures that Everest finishes on a thought-provoking and intentionally sombre note. Yes, this is Hollywood at work, but this is not a film to be ‘enjoyed’ in the traditional sense.
Overall, Everest is a fine film with some breath-taking action sequences and top-notch special effects. Unfortunately, despite the fascinating true-story, the human characters don’t register until the final act and this stops it from being as memorable as it should be.
https://moviemetropolis.net/2015/09/27/a-by-the-numbers-adventure-everest-review/
Now, Universal Pictures ends its record-breaking summer campaign with Everest, a high-budget thriller based on those events in 1996. But does it get the balance between all-out spectacle and human characterisation spot on?
Everest follows the fortunes of two climbing teams planning on making it to the top of the deadly mountain. The Adventure Consultants, led by Rob Hall, and Mountain Madness, guided by Scott Fischer, all make their way to the summit of Everest, battling against horrific storms, avalanches and the mountain itself along the way.
The film features an all-star cast, something not forgotten in its marketing campaign, with the likes of Jason Clarke as Hall, Jake Gyllenhaal as Fischer, Josh Brolin, Keira Knightley, Emily Watson and Sam Worthington all making an appearance as climbers and base-camp attendees.
There’s some great talent here but Everest simply cannot cope with that many characters jostling for screen time and the majority of the cast, bar Clarke, feel like cardboard cut-outs – this is a real shame given the true-story that the writers had to work with.
Knightley in particular is wasted with only ten minutes of screen time and Brolin’s side story is never fully explored to make you remember his character – especially when the onslaught of stormy weather makes it difficult to pick out each person at a glance.
Effects-wise, this is a huge spectacle. The cinematography is absolutely astounding and every shot is filled to the brim with colours, sounds and ragged landscapes – it’s absolutely stunning.
The scenes before the mountaineers start their final climb are particularly beautiful and the summit sequences themselves feel ridiculously real, all culminating in a film that looks and sounds spectacular, but just lacks that human touch needed to make it matter.
Unfortunately, there are no risks here, despite the ones being taken by our intrepid explorers and whilst the true-story elements lend the film some gravitas, everything else feels a little clichéd with a been there, done that attitude.
Naturally, the finale is when the emotional side comes into play with a selection of real video footage and photographs. This ensures that Everest finishes on a thought-provoking and intentionally sombre note. Yes, this is Hollywood at work, but this is not a film to be ‘enjoyed’ in the traditional sense.
Overall, Everest is a fine film with some breath-taking action sequences and top-notch special effects. Unfortunately, despite the fascinating true-story, the human characters don’t register until the final act and this stops it from being as memorable as it should be.
https://moviemetropolis.net/2015/09/27/a-by-the-numbers-adventure-everest-review/
Gareth von Kallenbach (980 KP) rated Ice Age 2: The Meltdown (2006) in Movies
Aug 14, 2019
It has been almost four years since audiences last embraced the animated misadventures of a pack of prehistoric animals in the runaway smash Ice Age.
As the calendar moves into spring the multiplexes throughout the land prepare to welcome the arrival of the early summer season films which like the warming of spring also indicates a warming at the box office as scores of moviegoers look forward to the latest releases which often contain a fair number of sequels.
In the new film, Ice Age 2: The Meltdown things are going well for the animals as they frolic the days away in a scenic glacier. Sid (John Leguizamo) has taken it upon himself to open a camp for younger animals much to the dismay of his friends Manny (Ray Romano), and Diego (Denis Leary).
Things take a turn for the worse when a rapidly warming environment threatens to melt the ice and flood the valley which results in a mass migration of the animals to a new locale where they will be safe from the flooding.
Along the way, Manny, Diego, and Sid encounter an odd trio of refugees, a family of possums. What makes this family different is that one of the possums named Ellie (Queen Latifah) is actually a Mammoth who thinks she is a possum after she was taken in at an early age by the two brothers Crash (Seann William Scott) and Eddie (Josh Peck).
Along the way this eclectic band of creatures must bond with one another as they face all manner of obstacles ranging from the elements to dangerous animals and the growing bond/tensions between Manny and Ellie who Manny fears may be the last two mammoths left.
Of course it would not be an Ice Age film without the misadventures of Scrat, the loveable squirrel from the first film who is still trying desperately to secure his beloved acorn and has all manner of misadventures as a result. As good as the other characters are the comedic interludes with Scrat are the funniest moments in the film which is saying something as there are many, many shining moments in the film.
The animation is first rate and is greatly improved from the first film as the animal’s now show greater texture and motion in their furs as well as a realistic weight transfer when they walk.
While this is not vital to the film, it does show a level of attention and detail that infuses the film with a vitality and flair not often shown in family entertainment that did not come from Disney.
Fox is at the top of their game, and “Ice Age: The Meltdown” is a further reminder that Disney no longer has a lock on animated family classics as this is a film that will delight viewers of all ages.
As the calendar moves into spring the multiplexes throughout the land prepare to welcome the arrival of the early summer season films which like the warming of spring also indicates a warming at the box office as scores of moviegoers look forward to the latest releases which often contain a fair number of sequels.
In the new film, Ice Age 2: The Meltdown things are going well for the animals as they frolic the days away in a scenic glacier. Sid (John Leguizamo) has taken it upon himself to open a camp for younger animals much to the dismay of his friends Manny (Ray Romano), and Diego (Denis Leary).
Things take a turn for the worse when a rapidly warming environment threatens to melt the ice and flood the valley which results in a mass migration of the animals to a new locale where they will be safe from the flooding.
Along the way, Manny, Diego, and Sid encounter an odd trio of refugees, a family of possums. What makes this family different is that one of the possums named Ellie (Queen Latifah) is actually a Mammoth who thinks she is a possum after she was taken in at an early age by the two brothers Crash (Seann William Scott) and Eddie (Josh Peck).
Along the way this eclectic band of creatures must bond with one another as they face all manner of obstacles ranging from the elements to dangerous animals and the growing bond/tensions between Manny and Ellie who Manny fears may be the last two mammoths left.
Of course it would not be an Ice Age film without the misadventures of Scrat, the loveable squirrel from the first film who is still trying desperately to secure his beloved acorn and has all manner of misadventures as a result. As good as the other characters are the comedic interludes with Scrat are the funniest moments in the film which is saying something as there are many, many shining moments in the film.
The animation is first rate and is greatly improved from the first film as the animal’s now show greater texture and motion in their furs as well as a realistic weight transfer when they walk.
While this is not vital to the film, it does show a level of attention and detail that infuses the film with a vitality and flair not often shown in family entertainment that did not come from Disney.
Fox is at the top of their game, and “Ice Age: The Meltdown” is a further reminder that Disney no longer has a lock on animated family classics as this is a film that will delight viewers of all ages.
Debbiereadsbook (1444 KP) rated Bad, Dad, And Dangerous Anthology in Books
Oct 15, 2020
great box set!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this box set.
These are four unrelated stories save for the common thread that one of the main characters is a single dad and a paranormal being.
I read all four, but I only really enjoyed 3.
KISMET & CADAVERS BY JENN MOFFATT
I haven't read anything by Ms Moffatt before, but I hope I get to soon! I LOVED this! Thomas and KJ met years ago, and Thomas felt that connection. His daughter moving up from KJ's class at school gives him the perfect chance. But things are getting in the way, and a dark magic has to be dealt with.
I loved the cat in this, I really did. You don't get many undead cats playing a huge part in stories and he made me laugh, how he is with Thomas. And that he likes KJ.
It's funny, and sexy and this was my favourite, along with the next one!
WOLF AT FIRST SIGHT BY RHYS FORD
This is a novella from the Wayward Wolves series (currently only one book!) but you don't need to have read that book to follow this.
Joesph's Nana frequents the pub he is watching. The owner is rather easy on the eye, but Levi isn't the only one keeping secrets from Joesph.
Joseph and Levi have immediate attraction and it takes them time to act on that. I loved that most of the people in the pub are not what they seem and the solution to Levi's Peacekeeping problem wasn't what I saw coming.
And it was sweet, dammit!
MONSTER HALL PASS BY BRU BAKER
Vampires with a twist!
Hugh is a vampire who feeds on energy, NEGATIVE energy gives the biggest boost. So once a year, when his daughter is at camp, he goes off to help his police friends deal with their more dangerous criminals. Meeting a Fae who can smell Hugh's daughter and then goes off on one at him, wasn't really in the plan this summer. When Rykoff reveals the truth about Hugh's daughter, he knows he needs help.
Cute, really cute. I enjoyed this one, not quite as much as the first two mentioned but I did enjoy it. I'd read more of these sorts of vampires, I really would!
ELF SHOT BY TA MOORE
I didn't like this one as much as the other three, I got a bit lost along the way with this. But still, a good read, just not a great one (Sorry!)
A thoroughly enjoyable way to spend a few hours with new to me, as well as not-so-new authors. Ms Baker and Moffatt are now sat on my wish list!
4 good solid stars across the whole set, But 5 for Kismet and Cadavers and for Wolf at First Sight.
~same worded review will appear elsewhere~
These are four unrelated stories save for the common thread that one of the main characters is a single dad and a paranormal being.
I read all four, but I only really enjoyed 3.
KISMET & CADAVERS BY JENN MOFFATT
I haven't read anything by Ms Moffatt before, but I hope I get to soon! I LOVED this! Thomas and KJ met years ago, and Thomas felt that connection. His daughter moving up from KJ's class at school gives him the perfect chance. But things are getting in the way, and a dark magic has to be dealt with.
I loved the cat in this, I really did. You don't get many undead cats playing a huge part in stories and he made me laugh, how he is with Thomas. And that he likes KJ.
It's funny, and sexy and this was my favourite, along with the next one!
WOLF AT FIRST SIGHT BY RHYS FORD
This is a novella from the Wayward Wolves series (currently only one book!) but you don't need to have read that book to follow this.
Joesph's Nana frequents the pub he is watching. The owner is rather easy on the eye, but Levi isn't the only one keeping secrets from Joesph.
Joseph and Levi have immediate attraction and it takes them time to act on that. I loved that most of the people in the pub are not what they seem and the solution to Levi's Peacekeeping problem wasn't what I saw coming.
And it was sweet, dammit!
MONSTER HALL PASS BY BRU BAKER
Vampires with a twist!
Hugh is a vampire who feeds on energy, NEGATIVE energy gives the biggest boost. So once a year, when his daughter is at camp, he goes off to help his police friends deal with their more dangerous criminals. Meeting a Fae who can smell Hugh's daughter and then goes off on one at him, wasn't really in the plan this summer. When Rykoff reveals the truth about Hugh's daughter, he knows he needs help.
Cute, really cute. I enjoyed this one, not quite as much as the first two mentioned but I did enjoy it. I'd read more of these sorts of vampires, I really would!
ELF SHOT BY TA MOORE
I didn't like this one as much as the other three, I got a bit lost along the way with this. But still, a good read, just not a great one (Sorry!)
A thoroughly enjoyable way to spend a few hours with new to me, as well as not-so-new authors. Ms Baker and Moffatt are now sat on my wish list!
4 good solid stars across the whole set, But 5 for Kismet and Cadavers and for Wolf at First Sight.
~same worded review will appear elsewhere~