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Lee (2222 KP) rated Ocean’s 8 (2018) in Movies
Jul 17, 2018
Sandra Bullock stars as Debbie Ocean, sister of Danny Ocean (George Clooney) from the previous Oceans movies. She begins the movie in jail, being released on parole and promising to go straight. She has 45 dollars in her pocket and manages to get to New York, scam herself some free makeup and a hotel room, and pretty much everything else she needs. She's clearly just like her brother, able to con her way to getting whatever she wants.
After that it's all a bit of an incoherent blur for a while. She's got a plan, she knows people who can help, they know people that can help, so they all start joining forces and forming some kind of plan, starting with an old accomplice, Lou (Cate Blanchett). The sloppy plot building is papered over with cool music, witty dialogue and snappy editing techniques similar to those in the far superior Ocean's 11. It's a frustrating and dull start to the movie.
Once the team of girls are all together though and they begin working through their plan, things loosen up a bit and are a bit more enjoyable. The heist they're planning is to steal a very expensive Cartier necklace from the neck of movie star Daphne Kluger (Anne Hathaway) while she attends New York's Met Gala, and under the watchful gaze of a team of security guys. With the help of a hacker (Rihanna), a fashion designer (Helena Bonham Carter), a pickpocket (Awkwafina), a jeweller (Mindy Kaling) and another old con partner (Sarah Paulson), the details of the heist are slowly refined - security cameras hacked, the necklace analysed and recreated via 3D printing. When it comes to the heist itself, it all plays enjoyably enough, but everything goes far too smoothly, with no real tension or suspense or any suggestion that they might not pull it off. Once again, it just feels inferior compared to Ocean's 11.
Sandra Bullock is the only one here displaying real screen presence, which is a real shame when you consider the talent involved. Cate Blanchett feels underused and Anne Hathaway is the only other actress making any real impact. Everyone else just feels wasted, too restricted to the roles they need to carry out in order to get the job done, with not much else going on.
We didn't really need another Ocean's movie. The quality of the previous series diminished with each one anyway and although I'm all up for the refreshing change of an all female heist movie, I felt this would have been much better overall without the whole 'Ocean' connection and the need to live up to the previous movies.
After that it's all a bit of an incoherent blur for a while. She's got a plan, she knows people who can help, they know people that can help, so they all start joining forces and forming some kind of plan, starting with an old accomplice, Lou (Cate Blanchett). The sloppy plot building is papered over with cool music, witty dialogue and snappy editing techniques similar to those in the far superior Ocean's 11. It's a frustrating and dull start to the movie.
Once the team of girls are all together though and they begin working through their plan, things loosen up a bit and are a bit more enjoyable. The heist they're planning is to steal a very expensive Cartier necklace from the neck of movie star Daphne Kluger (Anne Hathaway) while she attends New York's Met Gala, and under the watchful gaze of a team of security guys. With the help of a hacker (Rihanna), a fashion designer (Helena Bonham Carter), a pickpocket (Awkwafina), a jeweller (Mindy Kaling) and another old con partner (Sarah Paulson), the details of the heist are slowly refined - security cameras hacked, the necklace analysed and recreated via 3D printing. When it comes to the heist itself, it all plays enjoyably enough, but everything goes far too smoothly, with no real tension or suspense or any suggestion that they might not pull it off. Once again, it just feels inferior compared to Ocean's 11.
Sandra Bullock is the only one here displaying real screen presence, which is a real shame when you consider the talent involved. Cate Blanchett feels underused and Anne Hathaway is the only other actress making any real impact. Everyone else just feels wasted, too restricted to the roles they need to carry out in order to get the job done, with not much else going on.
We didn't really need another Ocean's movie. The quality of the previous series diminished with each one anyway and although I'm all up for the refreshing change of an all female heist movie, I felt this would have been much better overall without the whole 'Ocean' connection and the need to live up to the previous movies.
Alice (12 KP) rated The Dead Seekers (Dead Seekers, #1) in Books
Jul 3, 2018
<i>I received a copy of this book from the publisher in exchange for an honest review </i>
Original review can be found on my blog Raptureinbooks <a href="http://wp.me/p5y0lX-1Jk">here</a href>
<i>The Dead Seekers</i> is the first in a new series from Barb & J.C. Hendee which follows in the same vein as their Noble Dead series with strong characters and a good storyline. The Dead Seekers follows Tris - or as he is known throughout the book The Dead’s Man – a ghost hunter with the ability to see, interact with and control the dead after he was stillborn; and Mari, a shape-changing gypsy/traveller (known as a <i>Mondyalitko</i>) whose parents were killed when Tris was a child outside of his ancestral home who is convinced that The Dead’s Man is responsible.
The story begins with the birth/death of Tris and subsequent miracle of his rebirth and with the slaughter of Mari’s family a few years later. It then follows Tris as he performs his job as a ghost hunter and banisher of nasty spirits; Mari manages to track him down after a prolonged period of hunting him herself and follows him to his next job which involves the banishing of a spirit who has been kept on this plane against her will by her mother.
Mari saves Tris’ life the first night they are together as no one else can kill her prey and then continues to save his life on many occasions throughout the remainder of the book which is at odds with her nature to kill him as she believes he is the one responsible for murdering her family when she was a child – in a way, he is which is explained really well later on in the book at the end when their investigations into the spirit of the town take them further afield to a city barracks where several people are dying in odd manners.
The depiction of the ghosts were in themselves quite good, particularly how they weren’t depicted as what I refer to as basic ghosts but instead each one had a description of how they actually died – for example head wounds or missing limbs etc. which I quite liked. I also liked the tension between Tris and Mari which was eventually eased towards the end of the book once Mari realised who and what Tris actually was. The description of Mari as her other side was also written exceedingly well with a more animal personality at the forefront rather than the human side of her as with most shape-changers.
In all, it was an interesting concept with a couple of nifty little bits here and there that I liked. I look forward to the next installment.
Original review can be found on my blog Raptureinbooks <a href="http://wp.me/p5y0lX-1Jk">here</a href>
<i>The Dead Seekers</i> is the first in a new series from Barb & J.C. Hendee which follows in the same vein as their Noble Dead series with strong characters and a good storyline. The Dead Seekers follows Tris - or as he is known throughout the book The Dead’s Man – a ghost hunter with the ability to see, interact with and control the dead after he was stillborn; and Mari, a shape-changing gypsy/traveller (known as a <i>Mondyalitko</i>) whose parents were killed when Tris was a child outside of his ancestral home who is convinced that The Dead’s Man is responsible.
The story begins with the birth/death of Tris and subsequent miracle of his rebirth and with the slaughter of Mari’s family a few years later. It then follows Tris as he performs his job as a ghost hunter and banisher of nasty spirits; Mari manages to track him down after a prolonged period of hunting him herself and follows him to his next job which involves the banishing of a spirit who has been kept on this plane against her will by her mother.
Mari saves Tris’ life the first night they are together as no one else can kill her prey and then continues to save his life on many occasions throughout the remainder of the book which is at odds with her nature to kill him as she believes he is the one responsible for murdering her family when she was a child – in a way, he is which is explained really well later on in the book at the end when their investigations into the spirit of the town take them further afield to a city barracks where several people are dying in odd manners.
The depiction of the ghosts were in themselves quite good, particularly how they weren’t depicted as what I refer to as basic ghosts but instead each one had a description of how they actually died – for example head wounds or missing limbs etc. which I quite liked. I also liked the tension between Tris and Mari which was eventually eased towards the end of the book once Mari realised who and what Tris actually was. The description of Mari as her other side was also written exceedingly well with a more animal personality at the forefront rather than the human side of her as with most shape-changers.
In all, it was an interesting concept with a couple of nifty little bits here and there that I liked. I look forward to the next installment.
BookblogbyCari (345 KP) rated Law of Attraction in Books
Aug 14, 2018
Book Review by Cari Mayhew.
I listened to this as an audiobook, and I feel this added to the feel of the story and improved my experience of the book. The narrator spoke in a stunning female American accent but would change voices for the male dialogue parts.
I was enticed by the book's description – a romantic drama between two high-flying Lawyers. I was expecting witty dialogue and real tension between the characters. This book is part of a two-book series and is intended for readers over the age of eighteen.
The central character is criminal defense lawyer Gabrielle, who has crushed on prosecutor Braden in their altercations in the Courtroom for several months. Braden, however, is quite the cad, and is known not have had any serious relationships in quite some time.
One evening the two of them meet in the local bar and a serious flirting session ensues. Despite how much characters lust after each other, Gabrielle has no intention of becoming a mere one night stand, and a succession of dates are negotiated.
Their first date is one to remember. Soon after they boyfriend-girlfriend are meeting each other’s family. But, there are some odd complications, and all does not run smoothly. Braden has a narcissistic ex-girlfriend Marla, who still can’t accept that they’ve broken up. More intriguingly, an old crush of Gabrielle’s, Cam, who took Gabrielle’s virginity, comes back into her life shadowing her law firm, and it turns out he’s Braden’s cousin, who is also the man that another ex of Braden’s once cheated with. Then Gabrielle receives threatening notes telling her to stay away from Braden.
Gabrielle and her friends start plotting to find out who is leaving the notes. They aim to get handwriting samples from the 3 people they suspect, and by some strange coincidence, all 3 are at the same secret underground fantasy party which gets raided, providing handwriting samples in the form of written statements.
Then the first book in the series comes to an end before the note writer is identified. Rather than it being one of the people Gabrielle suspects, I suspect the author aims to provide surprise by making it someone closer to home.
One saucy scene was on a par with Fifty Shades of Grey, but this book is not going to take off like Fifty Shades of Grey did. There was nothing unusual in these scenes other than perhaps the locations.
Whilst the book never bored me, I just didn’t care enough about the characters or plot to want to read the second book in the series.
For more of my reviews, check out www.bookblogbycari.com
I listened to this as an audiobook, and I feel this added to the feel of the story and improved my experience of the book. The narrator spoke in a stunning female American accent but would change voices for the male dialogue parts.
I was enticed by the book's description – a romantic drama between two high-flying Lawyers. I was expecting witty dialogue and real tension between the characters. This book is part of a two-book series and is intended for readers over the age of eighteen.
The central character is criminal defense lawyer Gabrielle, who has crushed on prosecutor Braden in their altercations in the Courtroom for several months. Braden, however, is quite the cad, and is known not have had any serious relationships in quite some time.
One evening the two of them meet in the local bar and a serious flirting session ensues. Despite how much characters lust after each other, Gabrielle has no intention of becoming a mere one night stand, and a succession of dates are negotiated.
Their first date is one to remember. Soon after they boyfriend-girlfriend are meeting each other’s family. But, there are some odd complications, and all does not run smoothly. Braden has a narcissistic ex-girlfriend Marla, who still can’t accept that they’ve broken up. More intriguingly, an old crush of Gabrielle’s, Cam, who took Gabrielle’s virginity, comes back into her life shadowing her law firm, and it turns out he’s Braden’s cousin, who is also the man that another ex of Braden’s once cheated with. Then Gabrielle receives threatening notes telling her to stay away from Braden.
Gabrielle and her friends start plotting to find out who is leaving the notes. They aim to get handwriting samples from the 3 people they suspect, and by some strange coincidence, all 3 are at the same secret underground fantasy party which gets raided, providing handwriting samples in the form of written statements.
Then the first book in the series comes to an end before the note writer is identified. Rather than it being one of the people Gabrielle suspects, I suspect the author aims to provide surprise by making it someone closer to home.
One saucy scene was on a par with Fifty Shades of Grey, but this book is not going to take off like Fifty Shades of Grey did. There was nothing unusual in these scenes other than perhaps the locations.
Whilst the book never bored me, I just didn’t care enough about the characters or plot to want to read the second book in the series.
For more of my reviews, check out www.bookblogbycari.com
Roxanne (13 KP) rated The Forest of Hands and Teeth (The Forest of Hands and Teeth, #1) in Books
Nov 14, 2018
___ <b>3 Star Rating</b> ___
I just had to read this one as I fell in love with the front cover, it looked great so I expected a great story.
I had a love/hate relationship with this book, there were bits that were so good I wanted to shout from the rooftops but there were also parts that were so bad I wanted to run to a dark corner and cry.
<u>The bits I loved</u>
1. The suspense - Oh my life and soul I thought my heart was going to give out! That tension was fantastic! The way the author wrote the action scenes were great, the extra long description filled build ups which make you sweat and then straight into the action. The action was always really good with a nice bit of gore and clever tactics...very well done!
2. The dog - You have to have a dog in there somewhere, I love dogs! If the dog survives then that's extra points from me, I just want the animals to be ok...f*ck anyone else!
3. The Unconsecrated - Very well described, I liked the idea of 'The Fast One' and yeah I know they're Zombies...but I like Zombies.
<u>The bits I hated</u>
1. Mary! Mary! Aaaaand...Mary! - Oh what a pain in the ass! I did not like the MC one little bit. She was incredibly selfish, self centred and just plain rude. She was willing to step on anybody to get her own way. Everything was...love, love, love, OMG Mary I love you!
Mary: *Like I give a shit! I just wanna go to the Beach!*
People whom she supposedly loved were dropping like flies around her but oh well that's one less person in the way of her ocean filled dreams.
I'm sorry but I just hoped for this...
<img src="http://i.imgur.com/TJ9LVsr.jpg"; width="300" height="210"/>
2. Lack of character development - Actually, there was none. I still know nothing about the other characters, it's like they were just there to show how 'amazing' Mary really was. I so wanted at least one of the other characters to take centre stage for a while, just so I could see things from a different perspective...but no.
3. Lack of story building - So...why? When? Who? What? Did they live? Die? How did the dog get across the rope the second time?
Why the gates? The fences? Why are there Unconsecrated? What is the Sisterhood all about? What are they hiding? How did this all happen? WTF is Mary's problem?
Ok...so I know there's a second book and I've heard that it doesn't even carry the story on, if that is true I think I'm gonna scream. So many questions!
I just had to read this one as I fell in love with the front cover, it looked great so I expected a great story.
I had a love/hate relationship with this book, there were bits that were so good I wanted to shout from the rooftops but there were also parts that were so bad I wanted to run to a dark corner and cry.
<u>The bits I loved</u>
1. The suspense - Oh my life and soul I thought my heart was going to give out! That tension was fantastic! The way the author wrote the action scenes were great, the extra long description filled build ups which make you sweat and then straight into the action. The action was always really good with a nice bit of gore and clever tactics...very well done!
2. The dog - You have to have a dog in there somewhere, I love dogs! If the dog survives then that's extra points from me, I just want the animals to be ok...f*ck anyone else!
3. The Unconsecrated - Very well described, I liked the idea of 'The Fast One' and yeah I know they're Zombies...but I like Zombies.
<u>The bits I hated</u>
1. Mary! Mary! Aaaaand...Mary! - Oh what a pain in the ass! I did not like the MC one little bit. She was incredibly selfish, self centred and just plain rude. She was willing to step on anybody to get her own way. Everything was...love, love, love, OMG Mary I love you!
Mary: *Like I give a shit! I just wanna go to the Beach!*
People whom she supposedly loved were dropping like flies around her but oh well that's one less person in the way of her ocean filled dreams.
I'm sorry but I just hoped for this...
<img src="http://i.imgur.com/TJ9LVsr.jpg"; width="300" height="210"/>
2. Lack of character development - Actually, there was none. I still know nothing about the other characters, it's like they were just there to show how 'amazing' Mary really was. I so wanted at least one of the other characters to take centre stage for a while, just so I could see things from a different perspective...but no.
3. Lack of story building - So...why? When? Who? What? Did they live? Die? How did the dog get across the rope the second time?
Why the gates? The fences? Why are there Unconsecrated? What is the Sisterhood all about? What are they hiding? How did this all happen? WTF is Mary's problem?
Ok...so I know there's a second book and I've heard that it doesn't even carry the story on, if that is true I think I'm gonna scream. So many questions!
BankofMarquis (1832 KP) rated Rope (1948) in Movies
Nov 15, 2018
Master Director working some Masterful Camerawork
For my next deep dive into a film of the "Master of Suspense", Alfred Hitchock, I thought I'd pull out a "one-trick pony" film of his, 1948's ROPE. Based on a stage play, HItchock decided to film this movie as it were a play - keeping the entire film in one location (an apartment) and to film it in (what appears to be) one long take.
And, darn it all, if he doesn't pull it off.
The film starts off with a murder, we see two young men (John Dall and Farley Granger) strangling their "inferior" friend. They then decide to hold a dinner party to see if anyone can tell that they have committed murder. Included in this party is the dead friend's girlfriend (Joan Chandler), his father (Sir Cedrick Hardwicke) and their old school teacher (James Stewart).
The fun of this film isn't "will they get caught", it's "how will they get caught - and by who". The cast is wonderful (especially Hardwicke) but they all take a back seat to the absolute stellar performance of Stewart who begins to piece together that something is amiss and turns the tide on the two murderers.
The real star of this film is Director HItchock and his camera. Since he decided to make this in one long take, it took a master of organization and logistics to pull this off, having stagehands move furniture and walls out of the way (and back in again) as the camera moved around. In 1948, a camera could only hold 10 minutes worth of film, so the "one long take" aspect of this is a trick, as it is really 8 takes with strategic timing of camera movements behind walls and backs to give the illusion of seamlessness.
The interesting thing of this "trick" is that you are totally at the control of what Hitchock wants you to see (and not see). There is a scene about 1/2 way through the film that completely ignores the action and the people in the scene and focuses on the trunk the body is in. It is a masterwork, and the tension of keeping your focus there throughout the course of this part of the film is scary, tense and mesmerizing.
One last thing, Hitchock makes a cameo in every one of his films. Try to tell where Hitch is in this film (and, no, it is not as someone walking by the apartment at the beginning of the movie).
Not one of Hitchock's best, plotwise, but one of his best, camera-wise. Well worth checking out.
Letter Grade A-
8 (out of 10) stars and you can take that to the Bank (ofMarquis)
And, darn it all, if he doesn't pull it off.
The film starts off with a murder, we see two young men (John Dall and Farley Granger) strangling their "inferior" friend. They then decide to hold a dinner party to see if anyone can tell that they have committed murder. Included in this party is the dead friend's girlfriend (Joan Chandler), his father (Sir Cedrick Hardwicke) and their old school teacher (James Stewart).
The fun of this film isn't "will they get caught", it's "how will they get caught - and by who". The cast is wonderful (especially Hardwicke) but they all take a back seat to the absolute stellar performance of Stewart who begins to piece together that something is amiss and turns the tide on the two murderers.
The real star of this film is Director HItchock and his camera. Since he decided to make this in one long take, it took a master of organization and logistics to pull this off, having stagehands move furniture and walls out of the way (and back in again) as the camera moved around. In 1948, a camera could only hold 10 minutes worth of film, so the "one long take" aspect of this is a trick, as it is really 8 takes with strategic timing of camera movements behind walls and backs to give the illusion of seamlessness.
The interesting thing of this "trick" is that you are totally at the control of what Hitchock wants you to see (and not see). There is a scene about 1/2 way through the film that completely ignores the action and the people in the scene and focuses on the trunk the body is in. It is a masterwork, and the tension of keeping your focus there throughout the course of this part of the film is scary, tense and mesmerizing.
One last thing, Hitchock makes a cameo in every one of his films. Try to tell where Hitch is in this film (and, no, it is not as someone walking by the apartment at the beginning of the movie).
Not one of Hitchock's best, plotwise, but one of his best, camera-wise. Well worth checking out.
Letter Grade A-
8 (out of 10) stars and you can take that to the Bank (ofMarquis)
Gareth von Kallenbach (980 KP) rated The Last Witch Hunter (2015) in Movies
Jun 19, 2019
Over 800 years ago, a group of warriors and Clergy set off on a journey to destroy a witch and her minions in her lair. The witch had unleashed a plague upon the human race and she was determined to wipe them from the face of the planet.
During the battle, the witch is defeated but with her dying breath, she curses the one who vanquished her to a life of eternity, destined to be alone and never know peace.
Flash forward to modern day New York, and we find that man is now an elite Witch Hunter named Kaulder (Vin Diesel), who toils his trade working for a group who along with Witches maintain the peace. The Witches promise not to practice their craft against humans and in turn they are left alone. But when one does not follow the rules or is a threat to humanity, Kaulder and his ability to heal from injury via his immortality is dispatched to dispense justice.
When his Dolan (Michael Caine) is found dead the day after he retires, Koulder and his new Dolan (Elijah Wood), set out to find the Witch who is responsible which in turn leads to a discovery that his former Dolan is not dead but deeply cursed. In a race against time, Koulder must find the Witch who issues the curse and make an uneasy alliance with a witch named Chloe (Rose Leslie) to get to the bottom of a mystery darker and more deadly than they could have ever imagined.
One would think with the presence of Diesel and the interesting premise of the film, “The Last Witch Hunter”, would be more than it is. The film sadly plods along and has no real tension or surprises and at times, plays out more like a direct to DVD release or something one would find on cable late at night. I think the presence of Diesel is what got the film a theatrical release but one would hope with such a fine supporting cast it would have been better.
That is not to say the film is bad, as it was better than I thought it would be, but sadly as it went along, it simply failed to deliver on the potential of the premise.
In many ways I see this like “Hansel and Gretel” in that it will likely play better to the foreign market but after the total box office, DVD, and Pay Per View are factored in, do not be shocked if a second outing for the characters arrives someday as Diesel has shown a fondness for franchise characters.
For now the film is a decent distraction and offers entertainment as long as you set your expectations accordingly.
http://sknr.net/2015/10/23/the-last-witch-hunter/
During the battle, the witch is defeated but with her dying breath, she curses the one who vanquished her to a life of eternity, destined to be alone and never know peace.
Flash forward to modern day New York, and we find that man is now an elite Witch Hunter named Kaulder (Vin Diesel), who toils his trade working for a group who along with Witches maintain the peace. The Witches promise not to practice their craft against humans and in turn they are left alone. But when one does not follow the rules or is a threat to humanity, Kaulder and his ability to heal from injury via his immortality is dispatched to dispense justice.
When his Dolan (Michael Caine) is found dead the day after he retires, Koulder and his new Dolan (Elijah Wood), set out to find the Witch who is responsible which in turn leads to a discovery that his former Dolan is not dead but deeply cursed. In a race against time, Koulder must find the Witch who issues the curse and make an uneasy alliance with a witch named Chloe (Rose Leslie) to get to the bottom of a mystery darker and more deadly than they could have ever imagined.
One would think with the presence of Diesel and the interesting premise of the film, “The Last Witch Hunter”, would be more than it is. The film sadly plods along and has no real tension or surprises and at times, plays out more like a direct to DVD release or something one would find on cable late at night. I think the presence of Diesel is what got the film a theatrical release but one would hope with such a fine supporting cast it would have been better.
That is not to say the film is bad, as it was better than I thought it would be, but sadly as it went along, it simply failed to deliver on the potential of the premise.
In many ways I see this like “Hansel and Gretel” in that it will likely play better to the foreign market but after the total box office, DVD, and Pay Per View are factored in, do not be shocked if a second outing for the characters arrives someday as Diesel has shown a fondness for franchise characters.
For now the film is a decent distraction and offers entertainment as long as you set your expectations accordingly.
http://sknr.net/2015/10/23/the-last-witch-hunter/
Darren (1599 KP) rated A Prophet (Un prophete) (2010) in Movies
Jun 20, 2019
Story: A Prophet starts as Malik (Rahim) enters prison, he wants to keep to himself and get out quickly, but this doesn’t happen because crime boss Cesar (Arestrup) sees him as a potential new employee in need of protection on the inside, but in exchange Malik must do some of the dirty work for Cesar.
As time goes by Malik starts getting granted day release from prison where he must run jobs for Cesar, instead of getting back into normal life again. When things start getting out of control Malik must find a way out of this life before it is too late.
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Thoughts on A Prophet
Characters – Malik is a young criminal, sent to prison where he wants to do his time and walk away from his mistakes, he isn’t going to get this chance as he gets recruited with the promise of protection on the inside. He finds himself doing whatever it takes to survive this, but can he find a way out. Cesar is the crime lord in prison, he offers protection in exchange for jobs to be done for him, he will kill anyone that crosses him though.
Performances – The performances in this film are fantastic, you believe each reaction and motive the characters must go through as things are happening in the film.
Story – The story follows one young man’s fall into the crime world from inside a prison, to where he must find a way out before it finds himself too deep. There is a religious element to the story which shows the tension between Arabic and Muslims as Malik is stuck between the twos battle. This is a by the book gangster style movie where the new person enters and rises up the gang only to want to find a way out too.
Crime – The crime world we enter starts in prison and shows how things can still be operated from within the prison walls if the ranks are high enough.
Settings – The film is mostly set in the prison, so you can see the world that can operate inside there, outside each process is where Malik is either sent or finding himself while going through the release procedure.
Scene of the Movie – The first kill.
That Moment That Annoyed Me – It is too long for my liking.
Final Thoughts – This is a tense crime thriller showing us just where a young man can fall into while trying to just get out of his own problems with a large amount of religious undertone.
Overall: One for the gangster fans.
https://moviesreview101.com/2018/02/01/abc-film-challenge-oscar-nomination-a-a-prophet-2009/
As time goes by Malik starts getting granted day release from prison where he must run jobs for Cesar, instead of getting back into normal life again. When things start getting out of control Malik must find a way out of this life before it is too late.
REPORT THIS AD
Thoughts on A Prophet
Characters – Malik is a young criminal, sent to prison where he wants to do his time and walk away from his mistakes, he isn’t going to get this chance as he gets recruited with the promise of protection on the inside. He finds himself doing whatever it takes to survive this, but can he find a way out. Cesar is the crime lord in prison, he offers protection in exchange for jobs to be done for him, he will kill anyone that crosses him though.
Performances – The performances in this film are fantastic, you believe each reaction and motive the characters must go through as things are happening in the film.
Story – The story follows one young man’s fall into the crime world from inside a prison, to where he must find a way out before it finds himself too deep. There is a religious element to the story which shows the tension between Arabic and Muslims as Malik is stuck between the twos battle. This is a by the book gangster style movie where the new person enters and rises up the gang only to want to find a way out too.
Crime – The crime world we enter starts in prison and shows how things can still be operated from within the prison walls if the ranks are high enough.
Settings – The film is mostly set in the prison, so you can see the world that can operate inside there, outside each process is where Malik is either sent or finding himself while going through the release procedure.
Scene of the Movie – The first kill.
That Moment That Annoyed Me – It is too long for my liking.
Final Thoughts – This is a tense crime thriller showing us just where a young man can fall into while trying to just get out of his own problems with a large amount of religious undertone.
Overall: One for the gangster fans.
https://moviesreview101.com/2018/02/01/abc-film-challenge-oscar-nomination-a-a-prophet-2009/
Darren (1599 KP) rated Allied (2016) in Movies
Jun 20, 2019
Story: Allied starts as Canadian Intelligence Officer Max Vatan (Pitt) lands in Morocco to work with French Resistance Fighter Marianna Beausejour (Cotillard) as they pretend to be married as they complete their mission. The two fall in love for real and return to London to get married against the his superior Frank Heslop (Harris) opinion.
After a year of marriage Heslop comes to Max believing Marianna is indeed a spy, this leaves Max questioning, which side of the story to believe and what is the truth.
Thoughts on Allied
Characters – Max Vatan is Canadian intelligence working in Africa, highly skilled he can blend into his environment, but he does fall in love with his undercover wife. When he gets informed she could well be a spy, his life is turned upside down with doubts about what is the truth. Marianna is the French resistance fighter working with the Canadian Max as his fake wife, but she also falls in love with Max and returns to start a family with him. We don’t learn too much apart from that she is a loving wife and mother though.
Performances – Brad Pitt is good for the opening mission, you believe his every decision, but when he becomes the family man, he just doesn’t reach the levels you know he can. Marion Cotillard is good without being her breath-taking best in this role.
Story – The story here follows love and spies during World War II, we see how two people from different sides of the war fall in love and they must decide which side of the war they are supporting. This film doesn’t become as intense as it could be because seeing it from both sides could have heighted the experience and by the end it just doesn’t feel like it reaches the levels it should.
Action/Romance/War – The action during the film is tame with very little being used or looking overly real. The romance doesn’t feel whirlwind like you think it should be either, but the war side comes off strong as we see how the tension between the sides cause most of the issues in the lives.
Settings – The settings look authentic for the time, which does work well for the film.
Scene of the Movie – The truth.
That Moment That Annoyed Me – Just fizzles out in the second half of the film.
Final Thoughts – This is a war romance film that just never reaches the levels it should do, it just seems to go on and becomes one of the average films that you forget by the end.
Overall: Average and disappointing.
https://moviesreview101.com/2019/02/01/abc-film-challenge-oscar-nomination-a-allied-2016/
After a year of marriage Heslop comes to Max believing Marianna is indeed a spy, this leaves Max questioning, which side of the story to believe and what is the truth.
Thoughts on Allied
Characters – Max Vatan is Canadian intelligence working in Africa, highly skilled he can blend into his environment, but he does fall in love with his undercover wife. When he gets informed she could well be a spy, his life is turned upside down with doubts about what is the truth. Marianna is the French resistance fighter working with the Canadian Max as his fake wife, but she also falls in love with Max and returns to start a family with him. We don’t learn too much apart from that she is a loving wife and mother though.
Performances – Brad Pitt is good for the opening mission, you believe his every decision, but when he becomes the family man, he just doesn’t reach the levels you know he can. Marion Cotillard is good without being her breath-taking best in this role.
Story – The story here follows love and spies during World War II, we see how two people from different sides of the war fall in love and they must decide which side of the war they are supporting. This film doesn’t become as intense as it could be because seeing it from both sides could have heighted the experience and by the end it just doesn’t feel like it reaches the levels it should.
Action/Romance/War – The action during the film is tame with very little being used or looking overly real. The romance doesn’t feel whirlwind like you think it should be either, but the war side comes off strong as we see how the tension between the sides cause most of the issues in the lives.
Settings – The settings look authentic for the time, which does work well for the film.
Scene of the Movie – The truth.
That Moment That Annoyed Me – Just fizzles out in the second half of the film.
Final Thoughts – This is a war romance film that just never reaches the levels it should do, it just seems to go on and becomes one of the average films that you forget by the end.
Overall: Average and disappointing.
https://moviesreview101.com/2019/02/01/abc-film-challenge-oscar-nomination-a-allied-2016/
Gareth von Kallenbach (980 KP) rated Red Eye (2005) in Movies
Aug 14, 2019
For some people, being on an airplane is one of the most terrifying and traumatic experiences they will have to endure. For Lisa Reisert, (Rachel Mc Adams), her trauma is about to extend far beyond her dislike of flying.
Rachel works at a fancy Miami hotel where here main focus is taking care of all manner of high end clients such as the Secretary of Homeland Security. Lisa is forced to take the Red-Eye flight from Dallas to Miami to return to work on time following the funeral of her Grandmother, and as it tends to go with travels, there are all manner of delays that keep her from departing at the scheduled time.
It is during one such delay that Rachel meets the charismatic Jackson Rippner (Cillian Murphy), and as fate has it, they end up sitting next to one another after spending some time in a restaurant bar waiting for their flight to board.
As their plane ascends into the dark and stormy weather, a change occurs in Jackson, and he reveals that he is on the plane to ensure that Lisa follows his instructions, as failure to do so will result in the death of her beloved father.
Jackson reveals to Lisa that he works for interests who want to send a message so as the person in charge at the hotel, and then she must reassign the visiting Secretary of Homeland Security and his family to a room other than his usual one.
Trapped at 30,000 FT, with a psychotic Killer, Lisa must face her fears and find a way to outwit the killer in order to save her father the Secretary and perhaps herself from a situation borne of insanity and desperation.
Director Wes Craven is best known as the man behind the “Scream” and “Nightmare on Elm Street” series as well as countless other horror and suspense films has crafted a mix bag with “Red-Eye”, as the first half of the film is hampered by the uninspired final segments of the film.
What starts out as an interesting premise with many opportunities for suspense and tension are lost as the film unwinds. Early to middle segments of the film do have moments of suspense and some great exchanges between the two leads which makes the saggy and uninspired finale all the more disappointing.
Mc. Adams and Murphy are very good in their parts as is Jayma Mays in a supporting role as all three are talents to keep an eye on for the future.
That being said, the early moments of the film do deliver the goods and if you can get around the by the numbers finale, then you might find yourself enjoying the film.
Rachel works at a fancy Miami hotel where here main focus is taking care of all manner of high end clients such as the Secretary of Homeland Security. Lisa is forced to take the Red-Eye flight from Dallas to Miami to return to work on time following the funeral of her Grandmother, and as it tends to go with travels, there are all manner of delays that keep her from departing at the scheduled time.
It is during one such delay that Rachel meets the charismatic Jackson Rippner (Cillian Murphy), and as fate has it, they end up sitting next to one another after spending some time in a restaurant bar waiting for their flight to board.
As their plane ascends into the dark and stormy weather, a change occurs in Jackson, and he reveals that he is on the plane to ensure that Lisa follows his instructions, as failure to do so will result in the death of her beloved father.
Jackson reveals to Lisa that he works for interests who want to send a message so as the person in charge at the hotel, and then she must reassign the visiting Secretary of Homeland Security and his family to a room other than his usual one.
Trapped at 30,000 FT, with a psychotic Killer, Lisa must face her fears and find a way to outwit the killer in order to save her father the Secretary and perhaps herself from a situation borne of insanity and desperation.
Director Wes Craven is best known as the man behind the “Scream” and “Nightmare on Elm Street” series as well as countless other horror and suspense films has crafted a mix bag with “Red-Eye”, as the first half of the film is hampered by the uninspired final segments of the film.
What starts out as an interesting premise with many opportunities for suspense and tension are lost as the film unwinds. Early to middle segments of the film do have moments of suspense and some great exchanges between the two leads which makes the saggy and uninspired finale all the more disappointing.
Mc. Adams and Murphy are very good in their parts as is Jayma Mays in a supporting role as all three are talents to keep an eye on for the future.
That being said, the early moments of the film do deliver the goods and if you can get around the by the numbers finale, then you might find yourself enjoying the film.
Emma @ The Movies (1786 KP) rated Bohemian Rhapsody (2018) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
I'm in danger of spouting praise all the way through this review. I honestly can't bring to mind anything that I didn't like about the film.
Even before it started you're gearing up for the main event with the 20th Century Fox tune rejigged in the Queen style, which I thought was a nice touch.
So much of this made me smile, genuinely grinning from ear to ear. The sequences they put together throughout were fun and done in a way that they flowed really well. With no dialogue in the compilation pieces, just the background of music and characters, there's always a danger that something won't make sense or it's done too fast to keep track of. I didn't feel that was an issue at all here.
I really enjoyed the way the creation of the songs were shown on the screen. It's difficult to explain without the visuals, but you could see the thought processes coming to life through the actors. The connection you get between the band members and the music feels very real, especially when you see the tension dissipate when there's a new beat to explore. One scene in particular gave me goosebumps, and that was seeing Freddie looking out over the fields as the hint of a piano tune is playing in the background... we all know that tune, and the anticipation of what's coming next is electric.
Rami Malek really did something stunning with this role. His reactions felt so real in all the scenes. Seeing Freddie react to the crowds singing their songs back at them was such a powerful moment.
All the cast members were great. The band in particular. At some points I was astonished that I wasn't watching a documentary with the actual people in it.
I wasn't sure how they were going to handle Freddie's illness in the film, but I'm relieved that it was done in a sensitive way. The serious note it take when showing him watching a report about AIDs on the television really takes hold when you hear Who Wants To Live Forever playing in the background. It gives you time to realise just how bad the diagnosis was back then. It also makes you realise just how far medicine has come in such a short time.
Rounding out the film with the Live Aid set is amazing. It brings the joy of music, performance, and fandom to life. I genuinely can't wait to go and see this one again.
What you should do
The only reason not to see this film is if you don't like Queen's music.
Movie thing you wish you could take home
That live music feeling, those goosebumps, the singing at the top of your lungs. That good vibe is what everyone needs in their life.
Even before it started you're gearing up for the main event with the 20th Century Fox tune rejigged in the Queen style, which I thought was a nice touch.
So much of this made me smile, genuinely grinning from ear to ear. The sequences they put together throughout were fun and done in a way that they flowed really well. With no dialogue in the compilation pieces, just the background of music and characters, there's always a danger that something won't make sense or it's done too fast to keep track of. I didn't feel that was an issue at all here.
I really enjoyed the way the creation of the songs were shown on the screen. It's difficult to explain without the visuals, but you could see the thought processes coming to life through the actors. The connection you get between the band members and the music feels very real, especially when you see the tension dissipate when there's a new beat to explore. One scene in particular gave me goosebumps, and that was seeing Freddie looking out over the fields as the hint of a piano tune is playing in the background... we all know that tune, and the anticipation of what's coming next is electric.
Rami Malek really did something stunning with this role. His reactions felt so real in all the scenes. Seeing Freddie react to the crowds singing their songs back at them was such a powerful moment.
All the cast members were great. The band in particular. At some points I was astonished that I wasn't watching a documentary with the actual people in it.
I wasn't sure how they were going to handle Freddie's illness in the film, but I'm relieved that it was done in a sensitive way. The serious note it take when showing him watching a report about AIDs on the television really takes hold when you hear Who Wants To Live Forever playing in the background. It gives you time to realise just how bad the diagnosis was back then. It also makes you realise just how far medicine has come in such a short time.
Rounding out the film with the Live Aid set is amazing. It brings the joy of music, performance, and fandom to life. I genuinely can't wait to go and see this one again.
What you should do
The only reason not to see this film is if you don't like Queen's music.
Movie thing you wish you could take home
That live music feeling, those goosebumps, the singing at the top of your lungs. That good vibe is what everyone needs in their life.