The Forest
The Forest
2014 | Action/Adventure, Horror, Simulation
  
BloodRayne 3: The Third Reich (2010)
BloodRayne 3: The Third Reich (2010)
2010 | Action, Horror, Sci-Fi
  
While You Sleep
While You Sleep
8
8.0 (2 Ratings)
Book Rating
If you’re looking for something in the flavor of gothic horror with a little bit of romance and an unreliable narrator to thrown in, While You Sleep by Stephanie Merritt is the perfect choice. Reading it during a thunderstorm (which takes place quite often in the book) is even better. While I don’t tend to like romance, this book plays it off in a manner that even I can enjoy.

Set on a small island off the coast of Scotland, Merritt immediately creates an atmospherically gloomy environment. The main character, Zoe Adams, is an introverted artist who’s taking some much needed time away from her family in a lovely Victorian Era house in a town where she knows no one. Unbeknownst to her, the house has a reputation. Soon, things start to get a little rough, and the vacation turns into a nightmare. The question is, is there a phantom lending truth to the house’s status, or is there more than meets the eye?

When it comes to characters, Merritt’s ability to write dynamic and three-dimensional characters is spot on. I found myself becoming attached to a few while loathing others. The small town feel is replicated in the behaviors and actions of several characters, which tends to be something I’m wary of, being from a small town myself.

Overall, I really enjoyed this book. It’s one I’d like to own, and one I’ll definitely recommend to fellow horror fiends. I’d like to thank the publisher and NetGalley for providing me with a free copy of the book in exchange for an honest review.

http://theghastlygrimoire.com/2019/05/10/book-review-while-you-sleep-by-stephanie-merritt/
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The Amityville Horror
The Amityville Horror
Jay Anson | 1977 | Horror
6
7.0 (16 Ratings)
Book Rating
Jay Anson’s The Amityville Horror sparked a lot of attention when it was first published in 1977 and soon after became the basis for the famed horror movie of the same title–but the question often remains: is it a true story? Originally published as such, The Amityville Horror now resides among fiction titles, largely due to the fact that besides the Lutzes, very little activity has been reported in the DeFeo house. (There were also several lawsuits.) For the purpose of this review, I will be treating The Amityville Horror as a fiction novel.

Normally, this paragraph is used to describe the characters and how I felt about them. Because The Amityville Horror was meant to be regarded as non-fiction, the characters, based on real people, are rather flat. There are too many questions about how they behave and react to different events in their lives. Part of this may be attributed to the style of Anson’s writing, which comes across to me as rather basic. In some places, there’s no flow and things appear forced.

Plotwise, I found the story to be engaging enough that I did, admittedly, devour it. Anson lays out events one after another, with little to no space in between. He also writes from several perspectives, and switches frequently–which can be rather distracting.

Overall, The Amityville Horror garners a lot of fame. The DeFeo murders were monstrous, but the addition of the Lutzes’ stories adds fuel to a fire that, for many skeptics, has long since stopped burning. If you’re a franchise fan, the book will likely interest you, but other than that, is neither spectacular or horrible.

http://theghastlygrimoire.com/2019/05/02/book-review-the-amityville-horror-by-jay-anson/
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They Feed
They Feed
Jason Parent | 2018 | Horror
8
8.0 (1 Ratings)
Book Rating
Jason Parent’s They Feed has been on my radar for quite some time. A few months ago I snagged a galley of it. Things got in the way, but I finally found the time to sit down and straight up devour this title.

Set in Galveston National Park in Kansas, They Feed is the terrifying story of a what goes bump in the night. When a few groups, for completely different reasons, end up stranded in the dark, they quickly find themselves pitted against an unknown enemy that seems almost invincible, and every bit vicious. Can they survive until sunrise?

Let’s face it. When it comes to horror books, characters are dispensable. It’s hard to really get attached to anyone because we expect them to die. Therefore I’m always pleasantly surprised when there’s any amount of character development–and Parent’s stuffed this book with it. We’ve got a loathsome woman that, despite not being able to stand, I found myself cheering for. An angsty, delinquent teenager with redeemable qualities. A former convict. A group of frat boys behaving stupidly. All of these are present in this book, and Parent writes them in a way that had me both loving and hating several of them. (I cheered more than once.)

Plotwise, the book is pretty straightforward. It does switch perspectives, but thankfully it doesn’t alternate between past and present. This made the story flow really well, alongside perfect pacing on Parent’s part. There were also times I found my heart racing as I hoped for certain outcomes, and having that edge-of-your-seat thrill is one of my favorite feelings.

This is the first book I’ve read by Jason Parent, but it definitely won’t be the last. Let me put it this way: I’m even less likely to go camping now than I would have been last week. I’d like to thank NetGalley and Sinister Grin Press for providing me with a copy of this book in exchange for an honest review.

http://theghastlygrimoire.com/2019/02/20/book-review-they-feed-by-jason-parent/
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Inspection
Inspection
Josh Malerman | 2019 | Horror
8
8.0 (1 Ratings)
Book Rating
Josh Malerman’s Inspection brings a different type of horror to the playground than Bird Box, and with it comes the idea of a world where only one gender exists–at least, that’s what the Alphabet Boys and Letter Girls are told. In this piece of work from Malerman, readers explore the depths of an abhorrently twisted coming of age tale. A place where fearmongering is the norm, where one’s genius is all that matters, and where the opposite gender is a distraction.

The Alphabet Boys and the Letter Girls are a group of kids, twenty-six of each, who are known simply by their name: a letter of the alphabet. And yet, each child has their own personality despite the controlled environment they’re raised in. I absolutely loved the way Malerman wrote the characters in this story: I felt disgust, I felt sadness, I felt hope. It’s rare that I make these kind of connections with characters lately. I also liked the use of an unlikely hero in this book, but I can’t really go into details beyond that without spoiling anything.

In Inspection, the goal is to raise children without knowledge of the outside world. The Parenthood wants these fifty-two boys and girls unsullied by the real world so their intellect takes precedence among all other things. In that regard, the plot works. Unfortunately, it’s also fairly predictable. After all, oppression leads to revolt and the manner in which the Alphabet Boys and Letter Girls are raised is more than enough for the reader to determine the outcome.

Malerman’s been a bit of a hit or miss with me, and though I love his writing, some of his work is difficult to get through. For instance, Unbury Carol was a DNF from me, where as A House at the Bottom of a Lake kept my attention throughout the story, even if in the end it was just alright. (Though that too is a coming of age story and definitely worth reading if you’re a Malerman fan.) That said, when I went into Inspection, I was wary. Of course I was stoked that I was approved for the galley, but I was also scared. In the end, that fear was pointless. This book is definitely one of my more enjoyable reads so far this year.
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Little Darlings
Little Darlings
Melanie Golding | 2018 | Fiction & Poetry, Horror, Thriller
8
7.8 (6 Ratings)
Book Rating
I looked at Melanie Golding’s debut novel, Little Darlings, several times on NetGalley before I decided to click the read now button, and after spending the whole day reading it, I’m certainly glad I did. I’m not a mother myself, but Golding’s prose brings to life the very real concerns that any parent faces: the fear of losing their children. In this beautifully written book, readers are introduced to a deliciously dark fairytale, alongside the ultimate horror a parent can encounter.

Lauren Tranter is a new mother to beautiful twin boys. Cautious and brimming with worries common to becoming a parent, she finds herself quickly in a predicament: a woman has shown up at the maternity ward, demanding Lauren’s children in exchange for her own. When Lauren refuses, things quickly become murky and, when her children go missing at the park, her life is turned upside down.

I have a bit of a tumultuous relationship with a few of the characters in this book, and it’s a bit difficult to really nail down how I feel about them. For the most part, I absolutely adore Lauren–perhaps because I feel she’s portrayed exceptionally. Her husband, on the other hand, I can’t stand. Arrogant and self-centered, all Patrick seems to care about is himself. The detective, Jo Harper, falls squarely in between these two. Coming off as unlikable early on, she quickly finds her way into the reader’s heart with her go get ’em attitude. In part, it’s because of her noble desire to get to the bottom of things: to determine whether or not Lauren is mad, or if there might be some truth to what the new mother is saying.

Golding’s command of language lends a dark atmosphere to her novel. With excerpts from tales on changelings spaced throughout the book, she creates a deeply disturbing reality, where as a reader I found myself questioning everything. She simultaneously makes both sides of the plot’s story, that is Lauren’s side and the side conducting the investigation into the attempted abduction of her children, equally believable. I’m still asking questions, even after finishing the book. Oh, and the things uncovered toward the end of the book adds a delicious twist on top of Lauren’s plight.

Little Darlings is a wonderful read, and I read the majority of it in one sitting. It starts out a bit slowly, but once things begin picking up, Golding’s style drives the story forward at break-neck speed. After reading this, I was thrilled to discover it’s already been optioned for a film and I eagerly await its release. This book is definitely a must read for fans of psychological thrillers.

I’d like to thank NetGalley and Crooked Lane Books for providing me with a free copy of this book in exchange for an honest review.
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Acanthea Grimscythe (300 KP) rated The House by the Cemetery in Books

Jan 31, 2019 (Updated Feb 2, 2019)  
The House by the Cemetery
The House by the Cemetery
John Everson | 2018 | Horror
6
7.3 (3 Ratings)
Book Rating
I have a love-hate relationship with The House by the Cemetery by John Everson, and it’s really tearing me apart. I absolutely enjoyed the story itself, but there’s a few issues, one of which is a huge red flag, that I simply can’t allow to go unspoken–and if other reviews are any clue, I’m not the only one that’s immensely bothered by it.

The story involves a witch that died in 1963, a haunted house, a haunted house attraction, and a lot of characters (too many to keep track of without a notebook, actually). Hired to repair the haunted house so that guests can safely walk through it, Mike Kostner spends much of his time drinking beer and talking with the girls, Katie and Emery. At the same time, Jeanie’s been hired on as a makeup artist for the upcoming attraction and drags her boyfriend, Bong, into it. Then there’s Jillie and Ted, paranormal investigators. And then there are three other groups of people to form more members of the cast, which I found to be extremely overwhelming.

At this point in my review, I usually talk about characters and their development, what I like about them, what I don’t, etc. In this case, I can’t really do that. The only character I managed to forge any sort of emotional connection with was Jeanie, and it’s mainly sympathetic. As for the rest of the roles played, I’m largely disappointed. Why? Because there’s a severe lack of sensitivity in this novel–which has been mentioned in several other reviews. There are four characters whose sole defining characteristic is either their race or their weight. There’s no depth given beyond that to them as an individual. The remarks dealing with weight are largely shaming and those dealing with race are stereotypical. And here’s where I’m going to take a moment to discuss the character Bong, which I feel is the most blatant insult to another race’s customs that I’ve seen in a long time.

Bong’s full name is Bong-soon Mon. Phonetically, that sounds a lot like “bong soon man.” It’s not overly obvious if you’re not familiar with Korean names, and Bong-soon is an actual name used in the drama Strong Woman Do Bong Soon. However, in this case, Everson shortens Bong-soon, which is actually the character’s name (whether it’s his first or last, I’m not sure), to Bong. Thus he makes it more of a laughing matter (really, it’s not funny), whether it’s intentional or unintentional. Usually I’m not sensitive to these types of material, but in this book the way it comes across is really bothersome and, like several other readers, I agree with the idea that this book desperately needs an edit for sensitivity. Please bear in mind that I read an arc of this book and so I’m not sure if any of these issues were addressed in the final publication.

EDIT: After speaking with the author, he explained to me that the reason he shortened the name as he did comes from personal experience with someone that had the same name, and what they went by. Everson also assured me it was not his intent to fat shame those characters. I really appreciate that he reached out to me, and feel it's important that my misconception be corrected, but not hidden.

Plotwise, I adored this book. I can’t go too much into detail without sharing spoilers, but I can say this: the Everson does have a talent for creating beautifully grisly, albeit somewhat repetitive, scenes. The bloodbath that takes place near the end of the book is a glorious gore-fest that I felt the rest of the story worked up to quite well, even if it crawled earlier on while Mike was working on the house. As for the setting, it’s well written. I liked the idea of a house next to a cemetery, and its easy to infer its age without being told: it’s too close to a turnpike to have been put there before the turnpike was built. I was, however, confused by the juxtaposition of a heavily wooded house and cemetery in close proximity to a city or town, as in my experience turnpikes usually don’t have exits between major locales. At least, not very many present-day ones do, as most of them have been converted to, or created as, a controlled-access highway, where intersecting roads tend to cross over or under so that they do not impede traffic. That said, it strikes me as weird that a single house and cemetery would have an exit from a turnpike.

So I decided to google cemeteries and turnpikes, and what did I find? Bachelor’s Grove Cemetery is an actual haunted locale found in the suburbs of Chicago. And yes, it actually is that close to a turnpike! If you like to watch Ghost Adventures, the cemetery was featured in a 2012 episode. Also, the cemetery is extremely old. Even better? Many of the ghost stories referenced in the book are actual tales surrounding the cemetery. It’s actually pretty fascinating and I wouldn’t even have known about it were it not for Everson’s book.

Overall, I did enjoy reading this book. I loved the homage to horror movies of all types, including lesser known genres. I absolutely adored the way in which some of the characters were manipulated, too. Hence why I stated early in this review that I have a love-hate relationship with it. Because of the lack of sensitivity though, and the way I was made to feel as a reader because of it (I’m overweight, after all), I can’t give it more than three skulls.

I’d like to thank the publisher and NetGalley for providing me with a free copy of this book for review.
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Acanthea Grimscythe (300 KP) Feb 1, 2019

Agreed, @Heather Cranmer! I’ve seen that too, and I really love the phrase “freedom of speech does not mean freedom from consequences.”

One of the things about this book’s reviews that really bother me on Goodreads is that while several reviewers mentioned the issue, many more didn’t even touch on it.

Seriously. I’m just like, “Really guys? Am I the only fat, non-white individual here that feels singled out?” My first thought when I saw the weight comments, then the use of race as the identifier, was, “Wow, this author would hate me. I’m fat and Hispanic.” I have read some pretty triggering books, and of course I’ve read many that are considered no longer okay to teach in school because of their racial content, but I have never, ever felt so singled out as a reader.

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Heather Cranmer (2721 KP) Feb 1, 2019

Wow, yeah. It’s amazing what some people are comfortable with. The author sounds racist and just like a bigot. I will definitely be giving his other works a miss. I don’t want to read a bunch of hateful mean comments. The world is too full of meanness in real life as it is =(