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Awix (3310 KP) rated Bad Boys for Life (2020) in Movies
Jan 23, 2020
Creaky buddy-cop sequel does feel a bit like a prison sentence. Any film calling itself 'Bad Boys' which opens with one of the 'boys' rushing to the birth of their grandchild likely has serious self-awareness issues, and it proves to be the case here. The same kind of schtick as in the other two films - Smith and Lawrence squabble a lot, shoot people, quietly actually really love each other, etc, etc. Though it has to be said that this film does favour Smith fairly blatantly (one wonders how the salaries of the two stars compare).
Putting a film this dumb, vacuous and mechanical out in January really does throw the weaknesses in its construction into sharp relief: it basically goes comedy bit, action bit, sentimental character bit, comedy bit (and so on) for two hours and then stops. Easy on the eye, but makes one of the Lethal Weapon sequels look like a classy piece of work. I would say at least it's not a Michael Bay movie, but the Prince of Darkness turns up in a cameo acting role. Scrapes an extra star for the odd vaguely funny line and one genuinely startling plot development, but the rest of it is deeply crass and equally predictable.
Putting a film this dumb, vacuous and mechanical out in January really does throw the weaknesses in its construction into sharp relief: it basically goes comedy bit, action bit, sentimental character bit, comedy bit (and so on) for two hours and then stops. Easy on the eye, but makes one of the Lethal Weapon sequels look like a classy piece of work. I would say at least it's not a Michael Bay movie, but the Prince of Darkness turns up in a cameo acting role. Scrapes an extra star for the odd vaguely funny line and one genuinely startling plot development, but the rest of it is deeply crass and equally predictable.
Darren (1599 KP) rated 48 HRS (1982) in Movies
Jun 20, 2019
Story: 48 Hrs starts as Ganz (Remar) gets broken out of jail while on work detail by Billy Bear (Landham), he heads off to clean up old debts leaving cops bodies in his path of destruction. It doesn’t take long for Ganz to clash with detective Jack Cates (Nolte), where Ganz forces Jack into a difficult situation.
Jack must go to prisoner Reggie Hammond (Murphy) a wise cracking con man to help track down Ganz using his street knowledge. In what is an unlikely partnership turns into something special as the two find a way to get to the bottom of the crime.
Thoughts on 48 Hrs
Characters – Jack Cates is a grizzled cop, he gets the job done with his experience keeping him in high regard. He must stop the killer using criminal Reggie Hammond as the best chance to catch this killer. Reggie Hammond is a criminal near the end of his stint in jail, he is wise-cracking fast-talking meaning he can bullshit his way out of any situation he finds himself in. He uses this chance of time out of jail to settle a few scores. Elaine is the girlfriend of Jack who is tired of not making things serious between the two. Ganz is the killer on the loose, after his break from prison, he has a short-temper which causes his itchy trigger finger to fire on any enemy he comes across.
Performances – Nick Nolte is a great choice for a seemingly warn down cop, he takes the non-sense style needed for the role and goes with it. Eddie Murphy was one of the most popular stand-up comedians at the time, this was his film debut and he handed it very well, bringing his own energy to the role which could have been something we have seen before. James Remar is good as a villain because it is a character we have seen before, but he really convinces in this role. There is a negative here, that is Annette O’Toole, which to be fair isn’t her fault because the character is written so poorly
Story – The story follows a cop and a criminal work together to stop another criminal, yes this is a buddy cop movie. We have unlikely partnership which must work together to get the common goal. This is a story we have seen plenty of times since and it seems to be a hit or miss through the years, but this does keep things simple enough to enjoy not looking to throw us any surprises along the way.
Action/Crime/Comedy – The action is by the book for cops and criminals, nothing is over the top and mostly comes off like you would expect. The crime world is the cop needing to work with the criminal that is the best chance to catch a cop killer. The comedy comes from the odd pairing that must work together.
Settings – The film is set in San Francisco which always seems to be a great location for any crime comedy world to unfold.
Scene of the Movie – Settle this with fists.
That Moment That Annoyed Me – Ganz seems a lot easier to catch.
Final Thoughts – This is a good buddy comedy that bought us Eddie Murphy to the big screen. We get the action and comedy without being buried with one too often and most importantly we are entertained.
Overall: Great fun action comedy.
https://moviesreview101.com/2018/05/26/franchise-weekend-48-hrs-1982/
Jack must go to prisoner Reggie Hammond (Murphy) a wise cracking con man to help track down Ganz using his street knowledge. In what is an unlikely partnership turns into something special as the two find a way to get to the bottom of the crime.
Thoughts on 48 Hrs
Characters – Jack Cates is a grizzled cop, he gets the job done with his experience keeping him in high regard. He must stop the killer using criminal Reggie Hammond as the best chance to catch this killer. Reggie Hammond is a criminal near the end of his stint in jail, he is wise-cracking fast-talking meaning he can bullshit his way out of any situation he finds himself in. He uses this chance of time out of jail to settle a few scores. Elaine is the girlfriend of Jack who is tired of not making things serious between the two. Ganz is the killer on the loose, after his break from prison, he has a short-temper which causes his itchy trigger finger to fire on any enemy he comes across.
Performances – Nick Nolte is a great choice for a seemingly warn down cop, he takes the non-sense style needed for the role and goes with it. Eddie Murphy was one of the most popular stand-up comedians at the time, this was his film debut and he handed it very well, bringing his own energy to the role which could have been something we have seen before. James Remar is good as a villain because it is a character we have seen before, but he really convinces in this role. There is a negative here, that is Annette O’Toole, which to be fair isn’t her fault because the character is written so poorly
Story – The story follows a cop and a criminal work together to stop another criminal, yes this is a buddy cop movie. We have unlikely partnership which must work together to get the common goal. This is a story we have seen plenty of times since and it seems to be a hit or miss through the years, but this does keep things simple enough to enjoy not looking to throw us any surprises along the way.
Action/Crime/Comedy – The action is by the book for cops and criminals, nothing is over the top and mostly comes off like you would expect. The crime world is the cop needing to work with the criminal that is the best chance to catch a cop killer. The comedy comes from the odd pairing that must work together.
Settings – The film is set in San Francisco which always seems to be a great location for any crime comedy world to unfold.
Scene of the Movie – Settle this with fists.
That Moment That Annoyed Me – Ganz seems a lot easier to catch.
Final Thoughts – This is a good buddy comedy that bought us Eddie Murphy to the big screen. We get the action and comedy without being buried with one too often and most importantly we are entertained.
Overall: Great fun action comedy.
https://moviesreview101.com/2018/05/26/franchise-weekend-48-hrs-1982/
Gareth von Kallenbach (965 KP) rated The Spy Who Dumped Me (2018) in Movies
Jun 19, 2019
The buddy comedy has long been a staple of Hollywood films. In the 80s it became common in the buddy Cop format after the success of “Lethal Weapon” amongst others.
In the new film “The Spy Who Dumped Me”; audiences are introduced to Audrey (Mila Kunis), and her friend Morgan (Kate McKinnon). Audrey is in a funk as she was dumped by text by her boyfriend Drew (Justin Theroux) and spends her Birthday wallowing in pity and doubt about her life. Morgan is ever optimistic and energetic encourages her to burn the items Drew left behind as a form of starting over.
Empowered by the idea; Audrey texts her intentions to Drew who has ignored repeated contact attempts from Audrey so she can get closure. Unknown to either Audrey or Morgan is the fact that Drew is actually a Spy and is currently being hunted by some very dangerous people overseas.
Audrey and Morgan meet a man named Sebastian (Sam Heughan) who claims to know the situation with Drew and offers to help the girls with a situation they are now entangled within.
When Drew shows up unexpectedly to retrieve an item and ends up in a bad way, Morgan and Audrey follow his instructions and head to Vienna with a statute and find themselves on the run from spies, assassins, and all manner of dangers.
The plot of the film is convoluted and there is not much in the way of character growth. But the film does have some funny moments and many of them come from the frequent riffing of McKinnon who is just a non-stop spark of energy who fires off snappy comments no matter if facing a psychotic gymnast or in a high-speed chase.
Heughan is good stepping out from his Outlander character and it is nice to see him mixing in some comedy with the action scenes. Kunis and McKinnon work well with one another and seem to be having a great time working with one another on the film.
Despite some issues, the film was a pleasant and fun piece of entertainment as long as you are willing to just sit back and enjoy the ride.
http://sknr.net/2018/08/03/the-spy-who-dumped-me/
In the new film “The Spy Who Dumped Me”; audiences are introduced to Audrey (Mila Kunis), and her friend Morgan (Kate McKinnon). Audrey is in a funk as she was dumped by text by her boyfriend Drew (Justin Theroux) and spends her Birthday wallowing in pity and doubt about her life. Morgan is ever optimistic and energetic encourages her to burn the items Drew left behind as a form of starting over.
Empowered by the idea; Audrey texts her intentions to Drew who has ignored repeated contact attempts from Audrey so she can get closure. Unknown to either Audrey or Morgan is the fact that Drew is actually a Spy and is currently being hunted by some very dangerous people overseas.
Audrey and Morgan meet a man named Sebastian (Sam Heughan) who claims to know the situation with Drew and offers to help the girls with a situation they are now entangled within.
When Drew shows up unexpectedly to retrieve an item and ends up in a bad way, Morgan and Audrey follow his instructions and head to Vienna with a statute and find themselves on the run from spies, assassins, and all manner of dangers.
The plot of the film is convoluted and there is not much in the way of character growth. But the film does have some funny moments and many of them come from the frequent riffing of McKinnon who is just a non-stop spark of energy who fires off snappy comments no matter if facing a psychotic gymnast or in a high-speed chase.
Heughan is good stepping out from his Outlander character and it is nice to see him mixing in some comedy with the action scenes. Kunis and McKinnon work well with one another and seem to be having a great time working with one another on the film.
Despite some issues, the film was a pleasant and fun piece of entertainment as long as you are willing to just sit back and enjoy the ride.
http://sknr.net/2018/08/03/the-spy-who-dumped-me/
David McK (3180 KP) rated The Unbearable Weight of Massive Talent (2022) in Movies
Apr 10, 2023
This was a movie that, while I had no real plans to see it in the cinema myself, if somebody had asked me to go along with them I probably would have said "aye, why not?" to.
In this, Nic Cage plays a fictionalised version of himself who is thinking of giving up acting and then accepts a 1 million dollar pay-day from a superfan (the internets current BFF Pedro Pascal) to come and visit him for his birthday celebrations, unaware that the FBI believe that superfan to be a drug kingpin and with the FBI then suborning Cage to spy on said fan.
The rest of the film then plays out as a sort of buddy comedy, with Cage and Pascal (not all as he seems) then finding themselves caught up in various, sometimes ridiculous, situations and as they start using their experiences more and more towards the plot of a film that Gutierrez has dreamed up for Cage to star in.
So, yeah, better than I was expecting and it did even make me laugh once or twice!
In this, Nic Cage plays a fictionalised version of himself who is thinking of giving up acting and then accepts a 1 million dollar pay-day from a superfan (the internets current BFF Pedro Pascal) to come and visit him for his birthday celebrations, unaware that the FBI believe that superfan to be a drug kingpin and with the FBI then suborning Cage to spy on said fan.
The rest of the film then plays out as a sort of buddy comedy, with Cage and Pascal (not all as he seems) then finding themselves caught up in various, sometimes ridiculous, situations and as they start using their experiences more and more towards the plot of a film that Gutierrez has dreamed up for Cage to star in.
So, yeah, better than I was expecting and it did even make me laugh once or twice!
Gareth von Kallenbach (965 KP) rated Keanu (2016) in Movies
Aug 6, 2019
When Keegan Michael-Key and Jordan Peele announced that they would be ending their program Key and Peele, I was saddened. Their lively antics, comedic sensibilities, and ability to it on political and social issues in a way that allows them to make America reflect were what their fan base love about them. We saw original, sketch comedy that was actually funny and insightful as missing in today’s environment. As part of their “retirement,” they informed their fans that this was not the end of Key and Peele, just that they were going to entertain other projects.
It was a stroke of genius. They left when all of us were wanting more… and they deliver with their current film Keanu. This buddy action comedy picks right up where they left off with their show. It is a film with a very basic plot where two friends get way in over their heads. The jokes are not cheap and offer us a chance to laugh at the things that make us uncomfortable. The two men, and Keanu the cat give us a film reminiscent of the Wilder and Pryor films.
The jokes and situations will have you laughing throughout the film. In addition, the film and storyline poke fun at stereotypes, generalizations, and tropes in order to make us laugh even more. What many of us thought could be nothing more than random sketches strewn together for cheap laughs turned out to be a well-orchestrated first step into a journey of comedic genius. Comedy fans will love this film. Those looking for a serious turn or a film that involves seamless plotlines, you are going to be disappointed, but only in that aspect.
It was a stroke of genius. They left when all of us were wanting more… and they deliver with their current film Keanu. This buddy action comedy picks right up where they left off with their show. It is a film with a very basic plot where two friends get way in over their heads. The jokes are not cheap and offer us a chance to laugh at the things that make us uncomfortable. The two men, and Keanu the cat give us a film reminiscent of the Wilder and Pryor films.
The jokes and situations will have you laughing throughout the film. In addition, the film and storyline poke fun at stereotypes, generalizations, and tropes in order to make us laugh even more. What many of us thought could be nothing more than random sketches strewn together for cheap laughs turned out to be a well-orchestrated first step into a journey of comedic genius. Comedy fans will love this film. Those looking for a serious turn or a film that involves seamless plotlines, you are going to be disappointed, but only in that aspect.
LoganCrews (2861 KP) rated Half Baked (1998) in Movies
Jul 4, 2021
Ironically, not even that much better while high. I liked this for the majority of the runtime but that third act really tried my patience - falls into the exact line as other late 90s/early 00s buddy comedies in vein of 𝘋𝘶𝘥𝘦, 𝘞𝘩𝘦𝘳𝘦'𝘴 𝘔𝘺 𝘊𝘢𝘳? and the like that I just fucking hate, where the film completely gives up and a bunch of tiring 'wacky' stuff happens until it abruptly ends. Pretty typical hit-or-miss stoner comedy of the era but easy to forgive when the thing isn't even 85 minutes in length. It's agreeable enough with some seriously funny shit in it every now and again, mostly only holding its own in the sea of other similar movies due to its trio of three sharp, exuberant lead performances - Jim Breuer's final boss tie-dyed pothead steals the show with extreme prejudice (seriously, has anyone else in a movie ever exuded *more* stoner energy than this guy?). Can be lumped right in with 𝘔𝘪𝘴𝘴 𝘔𝘢𝘳𝘤𝘩 in the "kind of funny, semi-decent films written by people who are clearly above such work but also maybe that was the point of it to begin with?" pile. But Bob Saget's "I used to suck dick for coke!" bit remains as iconic and effortlessly hysterical as ever.
Bob Mann (459 KP) rated Long Shot (2019) in Movies
Sep 28, 2021
#Punching.
#Punching refers to an in-family joke….. my WhatsApp reply to my son when he sent me a picture of his new “Brazilian supermodel girlfriend” (she’s not). Bronwyn is now my daughter-in-law!
Similarly, the ‘out-there’ journalist Fred Flarsky (Seth Rogan) has been holding a candle for the glacial ice-queen Charlotte Field (Charlize Theron) for nearly twenty years. At the age of 16 she was his babysitter. Always with an interest in school issues, she has now risen to the dizzy heights of secretary (“of State”) to the President of the United States (Bob Odenkirk). With Charlotte getting the opportunity to run for President, fate arranges for Fred to get hired as a speechwriter on the team to help inject some necessary humour into Charlotte’s icy public persona. But in terms of romantic options, the shell-suited Fred is surely #punching isn’t he?
A rare thing.
Getting the balance right for a “romantic comedy” is a tricky job, but “Long Shot” just about gets it spot on. The comedy is sharp with a whole heap of great lines, some of which will need a second watch to catch. It’s also pleasingly politically incorrect, with US news anchors in particular being lampooned for their appallingly sexist language.
Just occasionally, the humour flips into Farrelly-levels of dubious taste (one “Mary-style” incident in particular was, for me, very funny but might test some viewer’s “ugh” button). The film also earns its UK15 certificate from the extensive array of “F” words utilized, and for some casual drug use.
Romantically, the film harks back to a classic blockbuster of 1990, but is well done and touching.
Writing and Directing
The sharp and tight screenplay was written by Dan Sterling, who wrote the internationally controversial Seth Rogen/James Franco comedy “The Interview” from 2014, and Liz Hannah, whose movie screenplay debut was the Spielberg drama “The Post“.
Behind the camera is Jonathan Levine, who previously directed the pretty awful “Snatched” from 2017 (a film I have started watching on a plane but never finished) but on the flip side he has on his bio the interesting rom-com-zombie film “Warm Bodies” and the moving cancer comedy “50:50”, also with Rogan, from 2011.
Also worthy of note in the technical department is the cinematography by Yves Bélanger (“The Mule“, “Brooklyn“, “Dallas Buyers Club“) with some lovely angles and tracking shots (a kitchen dance scene has an impressively leisurely track-away).
The Cast
Seth Rogen is a bit of an acquired taste: he’s like the US version of Johnny Vegas. Here he is suitably geeky when he needs to be, but has the range to make some of the pathos work in the inevitable “downer” scenes. Theron is absolutely gorgeous on-screen (although unlike the US anchors I OBVIOUSLY also appreciate her style and acting ability!). She really is the Grace Kelly of the modern age. She’s no stranger to comedy, having been in the other Seth (Macfarlane)’s “A Million Ways to Die in the West“. But she seems to be more comfortable with this material, and again gets the mix of comedy, romance and drama spot-on.
The strong supporting cast includes the unknown (to me) June Diane Raphael who is very effective at the cock-blocking Maggie, Charlotte’s aide; O’Shea Jackson Jr. as Fred’s buddy Lance; and Ravi Patel as the staffer Tom.
But winning the prize for the most unrecognizable cast member was Andy Serkis as the wizened old Rupert Murdoch-style media tycoon Parker Wembley: I genuinely got a shock as the titles rolled that this was him.
Final thoughts.
Although possibly causing offence to some, this is a fine example of a US comedy that delivers consistent laughs. Most of the audience chatter coming out of the screening was positive. At just over 2 hours, it breaks my “90 minute comedy” rule, but just about gets away with it. It’s not quite for me at the bar of “Game Night“, but it’s pretty close. Recommended.
#Punching refers to an in-family joke….. my WhatsApp reply to my son when he sent me a picture of his new “Brazilian supermodel girlfriend” (she’s not). Bronwyn is now my daughter-in-law!
Similarly, the ‘out-there’ journalist Fred Flarsky (Seth Rogan) has been holding a candle for the glacial ice-queen Charlotte Field (Charlize Theron) for nearly twenty years. At the age of 16 she was his babysitter. Always with an interest in school issues, she has now risen to the dizzy heights of secretary (“of State”) to the President of the United States (Bob Odenkirk). With Charlotte getting the opportunity to run for President, fate arranges for Fred to get hired as a speechwriter on the team to help inject some necessary humour into Charlotte’s icy public persona. But in terms of romantic options, the shell-suited Fred is surely #punching isn’t he?
A rare thing.
Getting the balance right for a “romantic comedy” is a tricky job, but “Long Shot” just about gets it spot on. The comedy is sharp with a whole heap of great lines, some of which will need a second watch to catch. It’s also pleasingly politically incorrect, with US news anchors in particular being lampooned for their appallingly sexist language.
Just occasionally, the humour flips into Farrelly-levels of dubious taste (one “Mary-style” incident in particular was, for me, very funny but might test some viewer’s “ugh” button). The film also earns its UK15 certificate from the extensive array of “F” words utilized, and for some casual drug use.
Romantically, the film harks back to a classic blockbuster of 1990, but is well done and touching.
Writing and Directing
The sharp and tight screenplay was written by Dan Sterling, who wrote the internationally controversial Seth Rogen/James Franco comedy “The Interview” from 2014, and Liz Hannah, whose movie screenplay debut was the Spielberg drama “The Post“.
Behind the camera is Jonathan Levine, who previously directed the pretty awful “Snatched” from 2017 (a film I have started watching on a plane but never finished) but on the flip side he has on his bio the interesting rom-com-zombie film “Warm Bodies” and the moving cancer comedy “50:50”, also with Rogan, from 2011.
Also worthy of note in the technical department is the cinematography by Yves Bélanger (“The Mule“, “Brooklyn“, “Dallas Buyers Club“) with some lovely angles and tracking shots (a kitchen dance scene has an impressively leisurely track-away).
The Cast
Seth Rogen is a bit of an acquired taste: he’s like the US version of Johnny Vegas. Here he is suitably geeky when he needs to be, but has the range to make some of the pathos work in the inevitable “downer” scenes. Theron is absolutely gorgeous on-screen (although unlike the US anchors I OBVIOUSLY also appreciate her style and acting ability!). She really is the Grace Kelly of the modern age. She’s no stranger to comedy, having been in the other Seth (Macfarlane)’s “A Million Ways to Die in the West“. But she seems to be more comfortable with this material, and again gets the mix of comedy, romance and drama spot-on.
The strong supporting cast includes the unknown (to me) June Diane Raphael who is very effective at the cock-blocking Maggie, Charlotte’s aide; O’Shea Jackson Jr. as Fred’s buddy Lance; and Ravi Patel as the staffer Tom.
But winning the prize for the most unrecognizable cast member was Andy Serkis as the wizened old Rupert Murdoch-style media tycoon Parker Wembley: I genuinely got a shock as the titles rolled that this was him.
Final thoughts.
Although possibly causing offence to some, this is a fine example of a US comedy that delivers consistent laughs. Most of the audience chatter coming out of the screening was positive. At just over 2 hours, it breaks my “90 minute comedy” rule, but just about gets away with it. It’s not quite for me at the bar of “Game Night“, but it’s pretty close. Recommended.
Gareth von Kallenbach (965 KP) rated The Internship (2013) in Movies
Aug 7, 2019
In The Internship, Vince Vaughn and Owen Wilson play Billy and Nick, two men in a profession that is sorely outdated. They are watch salesmen in a world where more people use their cell phones as time pieces than hunks of metal/plastic on their wrists. When their company shuts down because of this, Billy and Nick suddenly realize they don’t have any real skills, other than being excellent salesmen. Nick accepts a job working for his sister’s tatted-up boyfriend in a mattress store, while Billy is recovering from being unceremoniously dumped by his girlfriend after their house goes into foreclosure. So in a desperate bid to find jobs online, Billy stumbles across an unlikely possibility for the two of them: an internship at Google.
The movie plays out the way any other buddy comedy might. They somehow land the gig, fight adversity, teach a few life lessons along the way, and have the tough defining moments for each character. However, despite this formulaic plot, the movie was very funny and entertaining. From the smarmy British intern who spends the movie antagonizing the 40-something duo, to the two’s intern team, there is a great deal of comedy in the movie.
Vaughn and Wilson should be the most entertaining and funny in the movie, but you have to give credit to these two veterans. They really did allow their supporting cast to shine. Josh Brener, Dylan O’Brien, Tobit Raphael and Tiya Sircar all have hilarious laugh-out-loud scenes as Billy and Nick’s intern team. Josh Gad and Aasif Mandvi also steal the scenes they are in during the course of the movie.
Throw in legitimate tech jargon, real world technology, and the fact that this was actually filmed on location at the Google campus, and you have a pretty great movie. The only issue I had with the film was they did not play too much into the intern team’s story too much. For example, there was a nice wrap up for Sircar’s character that didn’t make sense. They talked about her issue some in the movie, but the resolution for her character was just never built up to, it kind of just happened and seemed out of place. But, this could be because I am a guy and don’t pick up on some of those things. My friend that saw the movie with me said I was crazy.
Overall, this movie exceeded my expectations. I came into expecting Fox to be grabbing at the success of Wedding Crashers. But in reality, this movie does well in standing on its. Coming in at one hour fifty-nine minutes, it is a bit long compared to today’s comedy standards, but you will never notice it. I know it kept our theater laughing the whole time. Definitely worth the watch. On my “would I buy it” scale (which has three levels No, DVD and Blu Ray), it is definitely worth the Blu Ray.
The movie plays out the way any other buddy comedy might. They somehow land the gig, fight adversity, teach a few life lessons along the way, and have the tough defining moments for each character. However, despite this formulaic plot, the movie was very funny and entertaining. From the smarmy British intern who spends the movie antagonizing the 40-something duo, to the two’s intern team, there is a great deal of comedy in the movie.
Vaughn and Wilson should be the most entertaining and funny in the movie, but you have to give credit to these two veterans. They really did allow their supporting cast to shine. Josh Brener, Dylan O’Brien, Tobit Raphael and Tiya Sircar all have hilarious laugh-out-loud scenes as Billy and Nick’s intern team. Josh Gad and Aasif Mandvi also steal the scenes they are in during the course of the movie.
Throw in legitimate tech jargon, real world technology, and the fact that this was actually filmed on location at the Google campus, and you have a pretty great movie. The only issue I had with the film was they did not play too much into the intern team’s story too much. For example, there was a nice wrap up for Sircar’s character that didn’t make sense. They talked about her issue some in the movie, but the resolution for her character was just never built up to, it kind of just happened and seemed out of place. But, this could be because I am a guy and don’t pick up on some of those things. My friend that saw the movie with me said I was crazy.
Overall, this movie exceeded my expectations. I came into expecting Fox to be grabbing at the success of Wedding Crashers. But in reality, this movie does well in standing on its. Coming in at one hour fifty-nine minutes, it is a bit long compared to today’s comedy standards, but you will never notice it. I know it kept our theater laughing the whole time. Definitely worth the watch. On my “would I buy it” scale (which has three levels No, DVD and Blu Ray), it is definitely worth the Blu Ray.
Darren (64 KP) rated Midnight Run (1988) in Movies
Oct 28, 2019
An under-rated Masterpiece
Midnight Run is an Action/Comedy masterpiece.
A modest hit at the box office way back in 1988, Midnight Run, Is the perfect buddy buddy movie. Robert De NIro stars as Jack Walsh, an ex Chicago cop turned bounty hunter, who is hire by his slimy bail bondsman Eddie Moscone (played by Joe Pantoliano) to bring in Jonathan Mardukas aka The Duke ~(fantastically played by Charles Grodin) a former mafia accountant who has jumped bail and is wanted by the FBI and the Mafia themselves.
Walsh succeeds in easily finding The Duke in New York which embarrasses the FBI. Walsh plans to bring back "The Duke" on a plane but, An incident on the plane leads Jack having just 5 days to travel cross country to bring in Mardukas from New York.
Moscone, not sure that Walsh can deliver Mardukas in 5 days, hires another bounty hunter Marvin Dorfler ( John Ashton) to take Mardukas from Walsh. Not only is Marvin trying to Mardukas for a payday but Walsh also has FBI agent Alonzo Mosely (Yaphet Kotto) on his tail so that they can bring him in.
On top of all of that, Mafia Boss Jimmy Serrano (The late great Dennis Farina) has his guys hunting Walsh and Mardukas so, they can have them dead before reaching LA as Mardukas was Jimmy's accountant and has damning evidence which can land Jimmy and his pals in prison for a very long time.
I really can't say enough good things about Midnight Run. Never at any point do you get bored or fed up of this film. In fact, at 2hrs and 6mins i wished it had gone on a little more.
How many films can you say that about?
De Niro and Grodin play off each other wonderfully. Their relationship goes from hunter and hunted to a nicely played out bromance of mutual respect.
John Ashton as Marvin, always thinking he's one step ahead of Walsh when he is actually one step behind. Joe Pantoliano is a fine character actor and here once again, As Eddie Moscone he plays slimy brilliantly. Yaphet Kotto never puts in a bad performance and finally, Dennis Farina as Jimmy Serrano has some of the best lines in the film.
Martin Brest delivers an absolute all time classic as director. It's a shame that after Gigli he decided to never direct again. Understandable i suppose because of the reviews but, Lets not forget he did bring us Beverley Hills Cop and Scent of A Woman and only ever directed 9 films in his career.
As for the 18 rating, That was down to the language! There are a lot of FUCKS in this film and it really isn't a violent film.
If you have not seen it, I implore you to take a chance! I promise you will not be disappointed.
A modest hit at the box office way back in 1988, Midnight Run, Is the perfect buddy buddy movie. Robert De NIro stars as Jack Walsh, an ex Chicago cop turned bounty hunter, who is hire by his slimy bail bondsman Eddie Moscone (played by Joe Pantoliano) to bring in Jonathan Mardukas aka The Duke ~(fantastically played by Charles Grodin) a former mafia accountant who has jumped bail and is wanted by the FBI and the Mafia themselves.
Walsh succeeds in easily finding The Duke in New York which embarrasses the FBI. Walsh plans to bring back "The Duke" on a plane but, An incident on the plane leads Jack having just 5 days to travel cross country to bring in Mardukas from New York.
Moscone, not sure that Walsh can deliver Mardukas in 5 days, hires another bounty hunter Marvin Dorfler ( John Ashton) to take Mardukas from Walsh. Not only is Marvin trying to Mardukas for a payday but Walsh also has FBI agent Alonzo Mosely (Yaphet Kotto) on his tail so that they can bring him in.
On top of all of that, Mafia Boss Jimmy Serrano (The late great Dennis Farina) has his guys hunting Walsh and Mardukas so, they can have them dead before reaching LA as Mardukas was Jimmy's accountant and has damning evidence which can land Jimmy and his pals in prison for a very long time.
I really can't say enough good things about Midnight Run. Never at any point do you get bored or fed up of this film. In fact, at 2hrs and 6mins i wished it had gone on a little more.
How many films can you say that about?
De Niro and Grodin play off each other wonderfully. Their relationship goes from hunter and hunted to a nicely played out bromance of mutual respect.
John Ashton as Marvin, always thinking he's one step ahead of Walsh when he is actually one step behind. Joe Pantoliano is a fine character actor and here once again, As Eddie Moscone he plays slimy brilliantly. Yaphet Kotto never puts in a bad performance and finally, Dennis Farina as Jimmy Serrano has some of the best lines in the film.
Martin Brest delivers an absolute all time classic as director. It's a shame that after Gigli he decided to never direct again. Understandable i suppose because of the reviews but, Lets not forget he did bring us Beverley Hills Cop and Scent of A Woman and only ever directed 9 films in his career.
As for the 18 rating, That was down to the language! There are a lot of FUCKS in this film and it really isn't a violent film.
If you have not seen it, I implore you to take a chance! I promise you will not be disappointed.
Gareth von Kallenbach (965 KP) rated The Heat (2013) in Movies
Aug 7, 2019
In a fun twist to the traditional buddy-cop movie theme, this time we have a pair of ladies bringing The Heat to the streets of Boston for a laugh-out-loud good time.
Sandra Bullock and Melissa McCarthy bring action and some very sharp tongues to the big screen.
The story starts out by painting a picture of the two in their separate worlds. Special Agent Ashburn (Bullock) is very prim, proper, and by-the-book. She dresses for success, knows it all, and doesn’t let so much as an S-bomb pass her lips. As she solves a case (proving herself a know-it-all in front of coworkers), a bleak picture comes into focus that this very uptight FBI agent is just the beginning.
By contrast (and fitting the expected formula), Detective Mullins (McCarthy) uses a down-and-dirty, physical, and foul-mouthed method for cleaning up the streets of Boston. Her neighborhood is definitely her home, and it needs protecting. Mullins’ slovenly lifestyle is the complete polar opposite of Ashburn, as one might expect. This conflict is the driving force behind a typical buddy cop movie. The only difference is that it’s two women instead of the usual ingredients.
Ashburn is given an assignment in Boston. The assignment will be a key, deciding factor in her next promotion, so all she wants is a simple case to solve and close. Naturally, once Mullins and Ashburn meet, sparks fly and hilarity ensues.
I went into this with low expectations, but also a deep loathing for Sandra Bullock as an actress — every role she’s ever played has been essentially the same. I expected the same in The Heat. In an oh-so-surprising twist of fate, she ended up playing the sober, strait-laced character! Despite my lack of appreciation for her acting skills, I must say she did well; her comedic timing was spot-on, and it meshed well with McCarthy’s usual brand of comedy: vociferous and physical, bordering on slapstick. I did note during the film that Bullock is definitely starting to show her age; this is not a knock on her beauty, but more an admission that I am starting to feel old!
Mullins also plays the same character in every movie role she takes, so this character was no stretch for her at all. It seems she is just there to memorize lines and provide her unabashed, high-energy quips. That said, I have to give her mad props for comedic timing and delivery. She is a one-trick-pony, but that one trick is a damn good one.
All in all, this is a great film for laughs. I laughed out loud through much of it, which was a surprise. As with all comedies, I don’t recommend spending your hard-earned cash on these top-dollar theater tickets. Wait for the small screen, but definitely see it for a good, healthy chuckle.
Sandra Bullock and Melissa McCarthy bring action and some very sharp tongues to the big screen.
The story starts out by painting a picture of the two in their separate worlds. Special Agent Ashburn (Bullock) is very prim, proper, and by-the-book. She dresses for success, knows it all, and doesn’t let so much as an S-bomb pass her lips. As she solves a case (proving herself a know-it-all in front of coworkers), a bleak picture comes into focus that this very uptight FBI agent is just the beginning.
By contrast (and fitting the expected formula), Detective Mullins (McCarthy) uses a down-and-dirty, physical, and foul-mouthed method for cleaning up the streets of Boston. Her neighborhood is definitely her home, and it needs protecting. Mullins’ slovenly lifestyle is the complete polar opposite of Ashburn, as one might expect. This conflict is the driving force behind a typical buddy cop movie. The only difference is that it’s two women instead of the usual ingredients.
Ashburn is given an assignment in Boston. The assignment will be a key, deciding factor in her next promotion, so all she wants is a simple case to solve and close. Naturally, once Mullins and Ashburn meet, sparks fly and hilarity ensues.
I went into this with low expectations, but also a deep loathing for Sandra Bullock as an actress — every role she’s ever played has been essentially the same. I expected the same in The Heat. In an oh-so-surprising twist of fate, she ended up playing the sober, strait-laced character! Despite my lack of appreciation for her acting skills, I must say she did well; her comedic timing was spot-on, and it meshed well with McCarthy’s usual brand of comedy: vociferous and physical, bordering on slapstick. I did note during the film that Bullock is definitely starting to show her age; this is not a knock on her beauty, but more an admission that I am starting to feel old!
Mullins also plays the same character in every movie role she takes, so this character was no stretch for her at all. It seems she is just there to memorize lines and provide her unabashed, high-energy quips. That said, I have to give her mad props for comedic timing and delivery. She is a one-trick-pony, but that one trick is a damn good one.
All in all, this is a great film for laughs. I laughed out loud through much of it, which was a surprise. As with all comedies, I don’t recommend spending your hard-earned cash on these top-dollar theater tickets. Wait for the small screen, but definitely see it for a good, healthy chuckle.