Search
Search results
Mark @ Carstairs Considers (2069 KP) rated The Narrows (Harry Bosch, #10; Harry Bosch Universe, #13) in Books
May 22, 2019
Harry Bosch Vs. The Poet
The Poet is back, and he is calling out FBI agent Rachel Walling. She has been summoned from a field office in South Dakota to a burial scene in Las Vegas to help the FBI track down this serial killer once and for all. Meanwhile, retired LAPD detective Harry Bosch has been asked to investigate the death of a friend by his widow. Everyone thought this death was natural causes, but Bosch begins to agree that there was something suspicious about his death. Where will the investigation lead?
While The Poet wasn’t originally part of the Harry Bosch series, this is a direct sequel to that Michael Connelly book. If you haven’t read it, you’ll definitely want to since it spoils twists in that book, and the story here will mean more to you as well. It is obvious to us that these two investigations are going to come together, and Connelly does a great job of keeping us entertained as he lays that ground work. We get plenty of twists as we go along, and the book kept me engrossed until we reached the very end. We get some follow up on the twist in Bosch’s personal life from the end of the previous book, and I enjoyed seeing his character grow as a result. The rest of the cast is just as strong, which is no surprise. We get the story from Bosch’s first-person point of view as well as the third-person point of view of other characters; these switches are never confusing and really enhance the story. Obviously, this is a darker book than my normal cozies, but I knew that going in and that didn’t bother me. This is another masterpiece from a wonderful writer.
While The Poet wasn’t originally part of the Harry Bosch series, this is a direct sequel to that Michael Connelly book. If you haven’t read it, you’ll definitely want to since it spoils twists in that book, and the story here will mean more to you as well. It is obvious to us that these two investigations are going to come together, and Connelly does a great job of keeping us entertained as he lays that ground work. We get plenty of twists as we go along, and the book kept me engrossed until we reached the very end. We get some follow up on the twist in Bosch’s personal life from the end of the previous book, and I enjoyed seeing his character grow as a result. The rest of the cast is just as strong, which is no surprise. We get the story from Bosch’s first-person point of view as well as the third-person point of view of other characters; these switches are never confusing and really enhance the story. Obviously, this is a darker book than my normal cozies, but I knew that going in and that didn’t bother me. This is another masterpiece from a wonderful writer.
Phillip McSween (751 KP) rated Toy Story 2 (1999) in Movies
Jan 23, 2018
Masterpiece
Toy Story 2 picks up right where it left off packing the same creativity from the first film. It's an absolute marvel from start to finish, a film that not only checks all the boxes but touches you on every level. I found myself laughing way harder than someone should've after multiple watches. Is it perfect? Maybe not, but it's damn close.
If the animation was groundbreaking in the original movie, Toy Story 2 surpasses that by taking it up to new heights. Spectacular doesn't even begin to define it. Colors are more vibrant. Movements are more crisp. The attention to detail in every single frame is unreal.
Success also comes from a number of clever moments sprinkled throughout the film. In one scene, the gang is driving a toy car down an aisle being led by Barbie while Rex is chasing after them. He gets closer and closer to their rearview mirroring a very similar moment in Jurassic Park. It was terrifying in the dinosaur film, but hilarious in this context.
With such a fun film, you never expect your feelings to get caught up in it but they do. You feel heartbroken for Woody (Tom Hanks) when Andy feels he has to leave him behind while Andy goes to Cowboy Camp. Woody was so excited to be chosen to go and he's devastated when Andy decides to leave him.
I can't think of anything to dislike about the film as a whole. It's a fun ride to remember about a toy trying to find himself and his place in the world. You'll love everything from the old characters to the new dog who is just plain adorable. Welcome to my All-Time Top Ten, Toy Story 2. Hope you enjoyed the stay, Safety Not Guaranteed. We have another well-deserved 100.
If the animation was groundbreaking in the original movie, Toy Story 2 surpasses that by taking it up to new heights. Spectacular doesn't even begin to define it. Colors are more vibrant. Movements are more crisp. The attention to detail in every single frame is unreal.
Success also comes from a number of clever moments sprinkled throughout the film. In one scene, the gang is driving a toy car down an aisle being led by Barbie while Rex is chasing after them. He gets closer and closer to their rearview mirroring a very similar moment in Jurassic Park. It was terrifying in the dinosaur film, but hilarious in this context.
With such a fun film, you never expect your feelings to get caught up in it but they do. You feel heartbroken for Woody (Tom Hanks) when Andy feels he has to leave him behind while Andy goes to Cowboy Camp. Woody was so excited to be chosen to go and he's devastated when Andy decides to leave him.
I can't think of anything to dislike about the film as a whole. It's a fun ride to remember about a toy trying to find himself and his place in the world. You'll love everything from the old characters to the new dog who is just plain adorable. Welcome to my All-Time Top Ten, Toy Story 2. Hope you enjoyed the stay, Safety Not Guaranteed. We have another well-deserved 100.
Kevin Wilson (179 KP) rated Jurassic Park (1993) in Movies
Jul 23, 2018
The music!!! (3 more)
Incredible cast
The dinosaurs look incredible
The writing
Are there any flaws to this movie? I think not!
Wow what can I say about this? A classic. A masterpiece. The greatest dinosaur movie of all time by far....in fact 1 of the greatest movies in general of all time.
The soundtrack is iconic. John Williams is a genius. You hear that song anywhere and you immediately know what movie it is.
Sam neills greatest role, shirtless Jeff goldblum, a young(er) Samuel l Jackson and a great Richard attenborough. The cast is great with fantastic writing. In a film about dinosaurs the acting is believable, I love the relationships between the characters.
We can't forget the other main cast member.....the dinosaurs. The looked incredible. The use of animatronics were genius mixed with some visual effects. They looked believable, they were scary and there were many different types to keep you interested. The sounds were perfect along with the intense feeling of seeing water shake letting you know something big is coming.
Spielburgs directing is on top form for this movie and is easily 1 of his best and that is saying a lot. Only he can present a scene to you that invokes both awe and fear at the same time.
It does make you think too even now about where technology is going and Jeff goldblum says it best in 1 seen. "Your scientists were so preoccupied with whether or not they could that didn't stop to think if they should" this line has stuck with me for a long time because it's true even today.
Fantastic movie that belongs in anyone's top 10. It is the only Dino movie worth watching. Nothing else comes close.
The soundtrack is iconic. John Williams is a genius. You hear that song anywhere and you immediately know what movie it is.
Sam neills greatest role, shirtless Jeff goldblum, a young(er) Samuel l Jackson and a great Richard attenborough. The cast is great with fantastic writing. In a film about dinosaurs the acting is believable, I love the relationships between the characters.
We can't forget the other main cast member.....the dinosaurs. The looked incredible. The use of animatronics were genius mixed with some visual effects. They looked believable, they were scary and there were many different types to keep you interested. The sounds were perfect along with the intense feeling of seeing water shake letting you know something big is coming.
Spielburgs directing is on top form for this movie and is easily 1 of his best and that is saying a lot. Only he can present a scene to you that invokes both awe and fear at the same time.
It does make you think too even now about where technology is going and Jeff goldblum says it best in 1 seen. "Your scientists were so preoccupied with whether or not they could that didn't stop to think if they should" this line has stuck with me for a long time because it's true even today.
Fantastic movie that belongs in anyone's top 10. It is the only Dino movie worth watching. Nothing else comes close.
Steve Fearon (84 KP) rated L.A. Noire in Video Games
Sep 5, 2018
Groundbreaking facial animation (2 more)
A fascinating world
Genuinely difficult to 100%
Action gets a bit repetitive (1 more)
Ran its studio into financial trouble :(
Still the best game of its kind
This game...its one of my favourites.
Its not an action masterpiece, in fact its a little clunky at times, with a similar but inferior combat style to GTA, but it has a legitimately great atmosphere, beautifully capturing the period and the stylings.
The detective work actually requires a little thinking (Which is rare) and asks the player to make choices without too much handholding (Which is even rarer), and as the game progresses, the challenge to interrogate the more devious individuals can prove rather vexing!
The animations, and the emotions they are able to portray in a game this old, puts to shame big budget thrillers from recent years (Mass Effec Andromeda, I am looking at you!), the city design is beautiful, and the characters are played by a number of recognisable actors which add to the big budget feel that runs all through this game.
Is the remaster an improvement on the 360 game? A little, higher resolution, parred up for Xbox one, but essentially its the same as it ever was, and that is fine.
There is still not a single game I have come across which has done the detective game as well as this, and it is a crying shame that the technology and effort used to create LA Noire has essentially been lost, since even now, manakin faced characters are still the norm.
This game still has a lot to offer, if you can look past the action sequences, and instead enjoy the characters, peformances, and genuine puzzle solving aspects of this classic title.
Its not an action masterpiece, in fact its a little clunky at times, with a similar but inferior combat style to GTA, but it has a legitimately great atmosphere, beautifully capturing the period and the stylings.
The detective work actually requires a little thinking (Which is rare) and asks the player to make choices without too much handholding (Which is even rarer), and as the game progresses, the challenge to interrogate the more devious individuals can prove rather vexing!
The animations, and the emotions they are able to portray in a game this old, puts to shame big budget thrillers from recent years (Mass Effec Andromeda, I am looking at you!), the city design is beautiful, and the characters are played by a number of recognisable actors which add to the big budget feel that runs all through this game.
Is the remaster an improvement on the 360 game? A little, higher resolution, parred up for Xbox one, but essentially its the same as it ever was, and that is fine.
There is still not a single game I have come across which has done the detective game as well as this, and it is a crying shame that the technology and effort used to create LA Noire has essentially been lost, since even now, manakin faced characters are still the norm.
This game still has a lot to offer, if you can look past the action sequences, and instead enjoy the characters, peformances, and genuine puzzle solving aspects of this classic title.
Gareth von Kallenbach (965 KP) rated Where the Wild Things Are (2009) in Movies
Aug 9, 2019
A film adaptation of Maurice Sandak’s beloved childhood tale of the same name, “Where the Wild Things Are” brings to life the worlds of Max a very imaginative child coming to grips with the emotional changes in his life. From his mom’s new boyfriend to his sister’s move into the teen years, Max is feeling very alone and runs away to a place where his needs are the first priority. In his world, Max is crowned king and he begins to deal with the issues of his real life through interaction and play with a variety of wildly imaginative monsters.
Taking a short children’s book and turning it into a compelling full-length film was the job of screenplay writers, David Eggers and Spike Jonzes, who also directed the picture. Among the film’s producers was Sandak and it shows. The film is seamlessly consistent with the original book while providing new and exciting content.
The roles are strongly cast from the lead of Max played by the up and coming Max Records, to that of the monster Carol voiced by James Gandolfini. The visual fantasy presented combines real and digital elements smoothly enough to accurately depict Max’s imagination while remaining realistic to the point of believability. Additionally, the fun yet abstract soundtrack manages to highlight the ups and downs of childhood exploration.
Seeming more like a masterpiece from Japanese animator Hayao Miyazaki than an American created live action children’s film, the detailed crafting and imaginatively honest perspective created by “Where the Wild Things Are” takes viewers back into their youth. A delight that is enjoyable, heartfelt and true to the spirit of the book, “Where the Wild Things Are”, is a must see film for any child inside or out.
Taking a short children’s book and turning it into a compelling full-length film was the job of screenplay writers, David Eggers and Spike Jonzes, who also directed the picture. Among the film’s producers was Sandak and it shows. The film is seamlessly consistent with the original book while providing new and exciting content.
The roles are strongly cast from the lead of Max played by the up and coming Max Records, to that of the monster Carol voiced by James Gandolfini. The visual fantasy presented combines real and digital elements smoothly enough to accurately depict Max’s imagination while remaining realistic to the point of believability. Additionally, the fun yet abstract soundtrack manages to highlight the ups and downs of childhood exploration.
Seeming more like a masterpiece from Japanese animator Hayao Miyazaki than an American created live action children’s film, the detailed crafting and imaginatively honest perspective created by “Where the Wild Things Are” takes viewers back into their youth. A delight that is enjoyable, heartfelt and true to the spirit of the book, “Where the Wild Things Are”, is a must see film for any child inside or out.
LeftSideCut (3778 KP) rated The Shining (1980) in Movies
Nov 4, 2019 (Updated Jan 8, 2021)
A slow burning horror masterclass
Stanley Kubrick's adaption of The Shining is certainly a rare gem - A tense thriller that might have aged, but still feels different and fresh in today's world.
Kubrick doesn't rely on cheap jump scares, but rather long and slow burning shots that are regularly unnerving, spliced with sudden and silent images of violence, all whilst a unsettling string score plays underneath each scene, even when nothing abnormal is happening.
The narrative of this adaption of The Shining is pretty straightforward (on the surface at least) as we watch Jack Torrance - a menacing and excellent Jack Nicholson in arguably his greatest performance - descend into madness as he looks after a deserted hotel for the winter months.
Jack is not particularly painted as a well hinged individual as it is, acting out against his wife Wendy (Shelly Duvall) and son Danny (Danny Lloyd) on a regular basis, whilst being slowly pushed over the edge by the isolated hotel, and it's ghostly occupants.
It's a well scripted film, never giving us too much back story, allowing us as an audience to interpret a lot of what is going on, and this loose ended-ness of The Shining is big part of it's charm.
Pretty much every shot is gorgeous, from the overhead sweeping landscapes of the opening, to the infamous tracking shots of Danny on his toy trike. The whole aesthetic is striking and disorientating in equal measure.
Not only is Nicholson an absolutely terrifying treat, but Shelly Duvall's performance is fantastic as well. Her frantic portrayal of a woman at her wits end is chilling, even if the methods to achieve this were questionable.
The Shining is truly iconic. It's influences can be seen everywhere from Twin Peaks to American Horror Story, and it's a testament to the overall quality of this horror heavyweight. A true masterpiece.
Kubrick doesn't rely on cheap jump scares, but rather long and slow burning shots that are regularly unnerving, spliced with sudden and silent images of violence, all whilst a unsettling string score plays underneath each scene, even when nothing abnormal is happening.
The narrative of this adaption of The Shining is pretty straightforward (on the surface at least) as we watch Jack Torrance - a menacing and excellent Jack Nicholson in arguably his greatest performance - descend into madness as he looks after a deserted hotel for the winter months.
Jack is not particularly painted as a well hinged individual as it is, acting out against his wife Wendy (Shelly Duvall) and son Danny (Danny Lloyd) on a regular basis, whilst being slowly pushed over the edge by the isolated hotel, and it's ghostly occupants.
It's a well scripted film, never giving us too much back story, allowing us as an audience to interpret a lot of what is going on, and this loose ended-ness of The Shining is big part of it's charm.
Pretty much every shot is gorgeous, from the overhead sweeping landscapes of the opening, to the infamous tracking shots of Danny on his toy trike. The whole aesthetic is striking and disorientating in equal measure.
Not only is Nicholson an absolutely terrifying treat, but Shelly Duvall's performance is fantastic as well. Her frantic portrayal of a woman at her wits end is chilling, even if the methods to achieve this were questionable.
The Shining is truly iconic. It's influences can be seen everywhere from Twin Peaks to American Horror Story, and it's a testament to the overall quality of this horror heavyweight. A true masterpiece.
James Koppert (2698 KP) rated Starve Acre in Books
Nov 24, 2019
His others were good. This is exceptional
I have enjoyed Andrew Michael Hurley's previous books very much but he has surpassed himself with Starve Acre. This is a dark and suturing read that gives you the same feels as Iain Banks' masterpiece The Wasp Factory. Anyone who was fans of the exceptional read as well as possibly Neil Gaimen's folk horror will find pleasure in this read.
I love it when you are so into a book you sprint upstairs when you get in from work to read a few pages before starting the evenings cooking etc, as I did with Starve Acre.
It's hard to tell you what happens in the story without giving away plot twists but this is a book of the supernatural, of a future dictated to by the past and of a family grieving trying to rationalise feelings and hurt. It is a place where they will remain outsiders and a tree that holds the mystery of it all.
Everything about this book should make it a classic. Its presentation and cover is beautiful. Michael-Hurley's writing is beautiful capturing the darkness in a way that is delicate and sweet which only makes the horror more shocking. The Lonely and Devil's Day were very good, but the writing here is some f the best I have ever read and the story is incredible. He has now become of a level that the next book he releases I standing outside the book shop at 9am and taking a day off work to read it, he is simply that good.
Miss this book at your peril, this is better than Stephen King and the rest. Andrew Michael-Hurley is now the true king!
I love it when you are so into a book you sprint upstairs when you get in from work to read a few pages before starting the evenings cooking etc, as I did with Starve Acre.
It's hard to tell you what happens in the story without giving away plot twists but this is a book of the supernatural, of a future dictated to by the past and of a family grieving trying to rationalise feelings and hurt. It is a place where they will remain outsiders and a tree that holds the mystery of it all.
Everything about this book should make it a classic. Its presentation and cover is beautiful. Michael-Hurley's writing is beautiful capturing the darkness in a way that is delicate and sweet which only makes the horror more shocking. The Lonely and Devil's Day were very good, but the writing here is some f the best I have ever read and the story is incredible. He has now become of a level that the next book he releases I standing outside the book shop at 9am and taking a day off work to read it, he is simply that good.
Miss this book at your peril, this is better than Stephen King and the rest. Andrew Michael-Hurley is now the true king!
Baby Story - Pics Editor
Photo & Video, Lifestyle and Stickers
App
— Featured as **Best New App** by Apple — "This app is a must-download for new mommies and...
Undertones of War
Edmund Blunden and John Greening
Book
Edmund Blunden (1896-1974) was one of the youngest of the war poets, enlisting straight from school...
Lefebvre for Architects
Book
While the work of Henri Lefebvre has become better known in the English-speaking world since the...