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Merissa (11704 KP) rated Return of the Runaway Bride in Books
Jul 21, 2021 (Updated Jul 17, 2023)
RETURN OF THE RUNAWAY BRIDE is part of the Last Chance Beach Romance series but can also be read as a standalone. In this one, Emily left Chase at the altar five years ago but has now returned to try and mend bridges. Not only is it time, but she also needs to let her friends and family know what she's been up to as her novel is being made into a movie, and no one knows.
This is a well-paced novel that not only gives the reader what is going on now, but also allows them to catch up on what happened five years ago, and why. There is a good group of characters, both main and supporting, that help to move the storyline along.
The only problem I found was that sometimes the time would jump from one sentence to another. I found this to be slightly jolting but became accustomed to it as the author's writing style.
A great summer story about second-chance romance and recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jul 21, 2021
This is a well-paced novel that not only gives the reader what is going on now, but also allows them to catch up on what happened five years ago, and why. There is a good group of characters, both main and supporting, that help to move the storyline along.
The only problem I found was that sometimes the time would jump from one sentence to another. I found this to be slightly jolting but became accustomed to it as the author's writing style.
A great summer story about second-chance romance and recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jul 21, 2021
Lyndsey Gollogly (2893 KP) rated The Wolfs Heir ( The Wild Rites saga 3) in Books
May 22, 2023
65 of 235
Kindle
The Wolfs Heir ( The Wild Rites saga 3)
By Anna McIlwraith
⭐️⭐️⭐️⭐️
Of all the shapechanger races Emma's met so far, the wolves are the most loyal - and the least tame. When the Russian wolves beg Emma for help, she jumps at the chance to use her burgeoning powers for good, in spite of the misgivings of those who would rather she stay safe and untouched under their protection. After all, Emma Chase is the Caller of the Blood, destined to command the magic of all shapechanging races - and if her power can't save one innocent kid, what the hell is it good for? Besides, the Russian wolves might be able to help her solve the mystery of her own stray wolf's origins, or at least give her some tips on how to stop him chewing up the furniture.
But old enemies have been biding their time, and Emma's promise to the wolves sets events in motion that will push her to the limits of her mind, body and soul, and finally awaken the ancient powers that have, until now, lain dormant within.
Can she save the wolf's heir - and herself?
This is my favourite so far! Fast paced loved the story development and oh my am I a little bit in love with Alexi!! This is a pretty decent shifter series!
Kindle
The Wolfs Heir ( The Wild Rites saga 3)
By Anna McIlwraith
⭐️⭐️⭐️⭐️
Of all the shapechanger races Emma's met so far, the wolves are the most loyal - and the least tame. When the Russian wolves beg Emma for help, she jumps at the chance to use her burgeoning powers for good, in spite of the misgivings of those who would rather she stay safe and untouched under their protection. After all, Emma Chase is the Caller of the Blood, destined to command the magic of all shapechanging races - and if her power can't save one innocent kid, what the hell is it good for? Besides, the Russian wolves might be able to help her solve the mystery of her own stray wolf's origins, or at least give her some tips on how to stop him chewing up the furniture.
But old enemies have been biding their time, and Emma's promise to the wolves sets events in motion that will push her to the limits of her mind, body and soul, and finally awaken the ancient powers that have, until now, lain dormant within.
Can she save the wolf's heir - and herself?
This is my favourite so far! Fast paced loved the story development and oh my am I a little bit in love with Alexi!! This is a pretty decent shifter series!
BankofMarquis (1832 KP) rated The Spy Who Dumped Me (2018) in Movies
Nov 20, 2018
If you like the leads, you'll like this film
The family was surfing through the "Pay-Per-View" films the other night when we settled on THE SPY WHO DUMPED ME. I knew that this action.comedy came and went pretty quickly this past summer, so I wondered what was wrong with it. But with 2 strong leads in Mila Kunis and Kate McKinnon, we decided to give it a try.
And we're glad we did, for THE SPY WHO DUMPED ME is a very fun, very funny action/comedy that delivers the goods with 2 charismatic and very watchable lead actresses.
Kunis stars as Audrey, a waitress who's boyfriend dumps her. Unbeknownst to her, her boyfriend was...any guesses...a spy! And in his things in Audrey's apartment is an item that other spies want to get. Audrey must go on the run with her roommate and best friend, Morgan to escape the "bad guys" and figure out what to do to stay alive while keeping the item safe.
Pretty standard plot set-up, to be sure. But in the hands of 2 comics like Kunis and McKinnon, it rises above average fair. Kunis is winning in her role and is pleasant enough personality to spend 2 hours with. McKinnon, on the other hand, is hilarious. Now, some say that "a little Kate McKinnon goes a long way". I don't agree with that. I find her fascinatingly funny to watch. Ranking right up there with Will Ferrell as a comedian who will go anywhere and do anything for a joke. Joining in on the fun are Jane Curtin and Paul Reiser as the parents of one of the characters. They are a welcome addition to the proceedings.
Writer and Director Susanna Fogel does a nice job of keeping the plot moving and mixes fun action/chase scenes in between the comedy sequences in a formula that works very well, indeed.
I was pleasantly surprised by how much I enjoyed THE SPY WHO DUMPED - and you (and your house guests) will, too.
Letter Grade: B+
7 (out of 10) stars and you can take that to the Bank(ofMarquis)
And we're glad we did, for THE SPY WHO DUMPED ME is a very fun, very funny action/comedy that delivers the goods with 2 charismatic and very watchable lead actresses.
Kunis stars as Audrey, a waitress who's boyfriend dumps her. Unbeknownst to her, her boyfriend was...any guesses...a spy! And in his things in Audrey's apartment is an item that other spies want to get. Audrey must go on the run with her roommate and best friend, Morgan to escape the "bad guys" and figure out what to do to stay alive while keeping the item safe.
Pretty standard plot set-up, to be sure. But in the hands of 2 comics like Kunis and McKinnon, it rises above average fair. Kunis is winning in her role and is pleasant enough personality to spend 2 hours with. McKinnon, on the other hand, is hilarious. Now, some say that "a little Kate McKinnon goes a long way". I don't agree with that. I find her fascinatingly funny to watch. Ranking right up there with Will Ferrell as a comedian who will go anywhere and do anything for a joke. Joining in on the fun are Jane Curtin and Paul Reiser as the parents of one of the characters. They are a welcome addition to the proceedings.
Writer and Director Susanna Fogel does a nice job of keeping the plot moving and mixes fun action/chase scenes in between the comedy sequences in a formula that works very well, indeed.
I was pleasantly surprised by how much I enjoyed THE SPY WHO DUMPED - and you (and your house guests) will, too.
Letter Grade: B+
7 (out of 10) stars and you can take that to the Bank(ofMarquis)
Zuky the BookBum (15 KP) rated The Marsh King's Daughter in Books
Mar 15, 2018
The Marsh Kings Daughter was huge before and around the time of its release. People were raving about the novel for a long time and they still are, so I was really excited to read it. While I did love it, I think all the hype made me expect something different to what I got, hence a 4 star rating, not a 5.
What I loved about this book was that it didnt hold back on some more contraversial opinions and thoughts that came from Helena. For instance, that she still adored her father even after everything, and that she had trouble caring about her mother at times. I think it was nice Dionne didnt write things that would please all readers. There were definitely some uncomfortable moments for me.
The writing in this book is stuff of dark fairytales. Its so dark and disturbing but you cant stop reading becasue the way in which its written is beautiful and flows perfectly. Dionnes writing takes you away, whether its into the marsh or trekking through the forest, you are planted directly into the scene, you lose your real surroundings.
One thing that I found disappointing about this novel was that most of it is set in the past, not in the present. From the way the synopsis writes the story, I was expecting this to be a lot more about a life and death chase between daughter and father. And OK, while it is technically about a life and death chase, its far more about Helenas life growing up in the marsh, all that she was taught and all that she learnt. While this is essential to the way the plot plays out, I think the book could have been marketed differently so I didnt have such a clear idea on how I expected the story to go.
This novel is a gripping, sometimes shocking, sometimes emotional fast paced action thriller with a lot to offer any reader. If youre not so much a thriller fan, this one could still be a terrifc read for you, as at times this novels feels more literary fiction than anything else.
Will I read Karen Dionnes work again? Oh sure, most definitely. I just wish this book was the one Id imagined in my head.
What I loved about this book was that it didnt hold back on some more contraversial opinions and thoughts that came from Helena. For instance, that she still adored her father even after everything, and that she had trouble caring about her mother at times. I think it was nice Dionne didnt write things that would please all readers. There were definitely some uncomfortable moments for me.
The writing in this book is stuff of dark fairytales. Its so dark and disturbing but you cant stop reading becasue the way in which its written is beautiful and flows perfectly. Dionnes writing takes you away, whether its into the marsh or trekking through the forest, you are planted directly into the scene, you lose your real surroundings.
One thing that I found disappointing about this novel was that most of it is set in the past, not in the present. From the way the synopsis writes the story, I was expecting this to be a lot more about a life and death chase between daughter and father. And OK, while it is technically about a life and death chase, its far more about Helenas life growing up in the marsh, all that she was taught and all that she learnt. While this is essential to the way the plot plays out, I think the book could have been marketed differently so I didnt have such a clear idea on how I expected the story to go.
This novel is a gripping, sometimes shocking, sometimes emotional fast paced action thriller with a lot to offer any reader. If youre not so much a thriller fan, this one could still be a terrifc read for you, as at times this novels feels more literary fiction than anything else.
Will I read Karen Dionnes work again? Oh sure, most definitely. I just wish this book was the one Id imagined in my head.
BankofMarquis (1832 KP) rated The Many Saints of Newark (2021) in Movies
Oct 12, 2021
The "non-Sopranos" part of this film worked much better
The new Sopranos prequel film THE MANY SAINTS OF NEWARK is a review-proof film. Most people fall into 1 of 2 camps.
The first, fans of the 1999-2007 landmark HBO series that some (including myself) call one of the best TV series of all time. The folks that fall into this camp will be checking this film out no matter what.
The second are folks that either never saw the series or have only a passing knowledge of it - these folks are (more than likely) gonna take a pass at this film.
And both camps would be right and wrong for THE MANY SAINTS OF NEWARK is a middle-of-the-road film that will be satisfying for SOPRANOS fans, but the part of this film that really, really works well has nothing to do with the series.
Written by Sopranos creator David Chase, TMSON is set in the late 1960’s-early 1970’s and tells the tale of a young Tony Soprano and his introduction to the North Jersey mafia and the charismatic mob boss who he is drawn to.
The first 15 minutes of this film were written specifically for SOPRANOS fans for it is here that you are introduced to younger versions of many of your favorite characters. From Tony to Uncle Junior to Livia (Tony’s Mom) to Pauly Walnuts, Silvio and “Big Pussy” they are all there - along with a few others you don’t know (and it is not a spoiler to say, there is a reason that they never made it to the TV series). You are also introduced to Tony’s Father Johnny Soprano, Mob Boss “Hollywood” Dick Moltisanti and the center of this film, the son of the Boss “Uncle” Dickie Moltisanti (father of future TV Series character Christopher).
It’s an enjoyable enough introduction, but it is nothing new. The characters sit around, talk, act tough and eat. Something that we’ve seen in countless mob movies before. Chase and Director Alan Taylor (THOR: THE DARK WORLD) appear somewhat bored with this part of the film - almost as if they are saying “here they all are, enjoy this for we have a more interesting story to tell”. This first 15 minutes of the film seem to go on forever.
And then the movie - and Chase’s ideas and Taylor’s Direction - kick in.
And this is where TMSON begins to escalate as the story splits into 2 parts - the first following Dickie (Alessandro Nivola) and the 2nd following one of his “runners” (Leslie Odom, Jr.) who is destined to become a powerful boss of the “Black Mafia”.
It’s a smart juxtaposition of story, but unfortunately for SOPRANO’s fans, the first story (following Dickie) and including most of the Soprano’s characters is the less interesting of the 2 stories. It is the journey of Leslie Odom, Jr.’s character that makes for a more compelling story. It is as if Chase had an interesting idea for a mob film but knew he would not be able to get it made unless he tied it somewhat to a Sopranos story.
Leslie Odom Jr. is magnetic as Harold McBrayer, the former numbers runner for Dickie that has an awaking through the Black Power movement of the late ‘60’s and becomes a formidable mob boss in his own right. This half of the movie/story is intriguing and interesting for you never know in what direction it is going to land. This “B” story is free to be whatever it wants/needs to be and this freedom elevates it.
The same cannot be said for the “A” story - the journey of Dickie Moltisanti. Alessandro Nivola is charming enough as this sadistic, sociopathic mobster, but he is saddled with too much TV show baggage to become a character on his own. Specifically his mentorship and (ultimate) disassociation with the young Tony Soprano (played by Michael Gandolfini, the son of the late James Gandolfini who played Tony in the TV series). I felt like these characters were burdened with the weight of the TV show and the need to pay homage to what will be coming in their lives via the TV show and to shoehorn in each character along the way.
Consequently some great actors like Vera Farmiga (Tony’s mother Livia), Jon Bernthal (Tony’s father), and Corey Stoll (as Uncle Junior) are all filming extended cameos. They do a good (enough) job bringing the essence of the characters from the TV Series to this film, but they just don’t have enough to do. I would love for these 3 to spin-off on their own.
The same can be said for Billy Magnussen (Pauly), John Magaro (Silvio) and Samson Moeakiola (Big Pussy). They all do a nice job bringing the younger versions of these characters to life (especailly Magaro) but they just don’t have enough to do.
And then there is Ray Liotta’s over-the-top performance as Mob Boss “Hollywood” Dick Moltisanti. Ove-the-top doesn’t even begin to describe the performance he is giving. I will give him credit, though, he does tone it down about 1/2 way through the film, but…geez…the first part…wow.
Ultimately, the failure of the “A” story to captivate dooms this movie to mediocre status. I would have loved for Chase to really sink his teeth into the “B” story - and to let Leslie Odom Jr. really fly as a character and and actor.
But that would have defeated the purpose of making a Sopranos prequel - a prequel that, perhaps, shouldn’t have been made in the first place.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
The first, fans of the 1999-2007 landmark HBO series that some (including myself) call one of the best TV series of all time. The folks that fall into this camp will be checking this film out no matter what.
The second are folks that either never saw the series or have only a passing knowledge of it - these folks are (more than likely) gonna take a pass at this film.
And both camps would be right and wrong for THE MANY SAINTS OF NEWARK is a middle-of-the-road film that will be satisfying for SOPRANOS fans, but the part of this film that really, really works well has nothing to do with the series.
Written by Sopranos creator David Chase, TMSON is set in the late 1960’s-early 1970’s and tells the tale of a young Tony Soprano and his introduction to the North Jersey mafia and the charismatic mob boss who he is drawn to.
The first 15 minutes of this film were written specifically for SOPRANOS fans for it is here that you are introduced to younger versions of many of your favorite characters. From Tony to Uncle Junior to Livia (Tony’s Mom) to Pauly Walnuts, Silvio and “Big Pussy” they are all there - along with a few others you don’t know (and it is not a spoiler to say, there is a reason that they never made it to the TV series). You are also introduced to Tony’s Father Johnny Soprano, Mob Boss “Hollywood” Dick Moltisanti and the center of this film, the son of the Boss “Uncle” Dickie Moltisanti (father of future TV Series character Christopher).
It’s an enjoyable enough introduction, but it is nothing new. The characters sit around, talk, act tough and eat. Something that we’ve seen in countless mob movies before. Chase and Director Alan Taylor (THOR: THE DARK WORLD) appear somewhat bored with this part of the film - almost as if they are saying “here they all are, enjoy this for we have a more interesting story to tell”. This first 15 minutes of the film seem to go on forever.
And then the movie - and Chase’s ideas and Taylor’s Direction - kick in.
And this is where TMSON begins to escalate as the story splits into 2 parts - the first following Dickie (Alessandro Nivola) and the 2nd following one of his “runners” (Leslie Odom, Jr.) who is destined to become a powerful boss of the “Black Mafia”.
It’s a smart juxtaposition of story, but unfortunately for SOPRANO’s fans, the first story (following Dickie) and including most of the Soprano’s characters is the less interesting of the 2 stories. It is the journey of Leslie Odom, Jr.’s character that makes for a more compelling story. It is as if Chase had an interesting idea for a mob film but knew he would not be able to get it made unless he tied it somewhat to a Sopranos story.
Leslie Odom Jr. is magnetic as Harold McBrayer, the former numbers runner for Dickie that has an awaking through the Black Power movement of the late ‘60’s and becomes a formidable mob boss in his own right. This half of the movie/story is intriguing and interesting for you never know in what direction it is going to land. This “B” story is free to be whatever it wants/needs to be and this freedom elevates it.
The same cannot be said for the “A” story - the journey of Dickie Moltisanti. Alessandro Nivola is charming enough as this sadistic, sociopathic mobster, but he is saddled with too much TV show baggage to become a character on his own. Specifically his mentorship and (ultimate) disassociation with the young Tony Soprano (played by Michael Gandolfini, the son of the late James Gandolfini who played Tony in the TV series). I felt like these characters were burdened with the weight of the TV show and the need to pay homage to what will be coming in their lives via the TV show and to shoehorn in each character along the way.
Consequently some great actors like Vera Farmiga (Tony’s mother Livia), Jon Bernthal (Tony’s father), and Corey Stoll (as Uncle Junior) are all filming extended cameos. They do a good (enough) job bringing the essence of the characters from the TV Series to this film, but they just don’t have enough to do. I would love for these 3 to spin-off on their own.
The same can be said for Billy Magnussen (Pauly), John Magaro (Silvio) and Samson Moeakiola (Big Pussy). They all do a nice job bringing the younger versions of these characters to life (especailly Magaro) but they just don’t have enough to do.
And then there is Ray Liotta’s over-the-top performance as Mob Boss “Hollywood” Dick Moltisanti. Ove-the-top doesn’t even begin to describe the performance he is giving. I will give him credit, though, he does tone it down about 1/2 way through the film, but…geez…the first part…wow.
Ultimately, the failure of the “A” story to captivate dooms this movie to mediocre status. I would have loved for Chase to really sink his teeth into the “B” story - and to let Leslie Odom Jr. really fly as a character and and actor.
But that would have defeated the purpose of making a Sopranos prequel - a prequel that, perhaps, shouldn’t have been made in the first place.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
JT (287 KP) rated Fast & Furious 6 (2013) in Movies
Mar 10, 2020
I've been a fan of this franchise since the very first film, and while Tokyo Drift might have been a little blip, or bump in the road, there is no denying that the films have delivered box office success. Fast and Furious 6 is the second film to be left on a cliffhanger (we’ll get to that later) and delves deep into the story of the mystery surrounding Letty’s (Michelle Rodriguez) death a few films ago. I don’t regard that as a plot spoiler as it’s in the trailer. Having demolished most of Rio and now living peacefully in a country with no extradition Dom and new dad Brian think that they have put all their troubles behind them.
After the opening credits montage, agent Hobbs (Johnson) comes knocking. His offer requires all the team converge once again, this time they have to track down and capture a ruthless mercenary called Owen Shaw (Luke Evans). Hobbs and Toretto have to stand side by side working together to take down the villain. Letty of course has returned and is working for the bad guys but has no memory of her past life. If you’re a true fan then the plot will reveal more back story and as it turns out part six is practically a sequel to part four with past villains announcing a few home truths.
The film and action is set in the heart of London which, includes a car chase that defies belief, a ménage à trois of fist fights on the underground, shoot outs and a drag race that drifts through Piccadilly Circus. The action is pulsating and over the top but you shouldn’t care in the least about that. What were you expecting the film to do? Each vehicular sequence is more mind bending than the next.
Take the opening chase for example. A modified F1 style car pursued by Toretto and his crew as well as local police weaves its way through the streets with the ability to flip oncoming cars. Justin Lin who directed the last four films is well in control and more than happy to up the action.
Fast and Furious 6 is guilty of plot holes, but these will only be deconstructed by people who have nothing better to do. That said, even I was left wondering what distance the longest runway in the world was? There is a good level of humour with Tyrese Gibson’s Roman providing much of the light heartedness that the film needed. Let’s face it The Avengers had the same level of action and humour mixed and that seemed to work.
One of the dangers for this was having a cast that was pretty extensive, regrouping the team meant that there was jostling for position. But on the whole everyone has their time to shine and no one is really cast to the shadows. Evans does a good job as the main antagonist and Gina Carano also proves her worth after the abject Haywire a few years back.
Fast and Furious 7 takes place back in LA after the events of this film and has a teasing post credit sequence that will bait those fans to come back once again. James Wan steps into the directors chair for the seventh film switching from the comfort of the horror genre. I found Fast and Furious 6 to be a highly entertaining film, and you’ll need to check your brain in at the door. To quote a cliché it ‘does what it says on the tin’, and doesn’t take itself too seriously.
After the opening credits montage, agent Hobbs (Johnson) comes knocking. His offer requires all the team converge once again, this time they have to track down and capture a ruthless mercenary called Owen Shaw (Luke Evans). Hobbs and Toretto have to stand side by side working together to take down the villain. Letty of course has returned and is working for the bad guys but has no memory of her past life. If you’re a true fan then the plot will reveal more back story and as it turns out part six is practically a sequel to part four with past villains announcing a few home truths.
The film and action is set in the heart of London which, includes a car chase that defies belief, a ménage à trois of fist fights on the underground, shoot outs and a drag race that drifts through Piccadilly Circus. The action is pulsating and over the top but you shouldn’t care in the least about that. What were you expecting the film to do? Each vehicular sequence is more mind bending than the next.
Take the opening chase for example. A modified F1 style car pursued by Toretto and his crew as well as local police weaves its way through the streets with the ability to flip oncoming cars. Justin Lin who directed the last four films is well in control and more than happy to up the action.
Fast and Furious 6 is guilty of plot holes, but these will only be deconstructed by people who have nothing better to do. That said, even I was left wondering what distance the longest runway in the world was? There is a good level of humour with Tyrese Gibson’s Roman providing much of the light heartedness that the film needed. Let’s face it The Avengers had the same level of action and humour mixed and that seemed to work.
One of the dangers for this was having a cast that was pretty extensive, regrouping the team meant that there was jostling for position. But on the whole everyone has their time to shine and no one is really cast to the shadows. Evans does a good job as the main antagonist and Gina Carano also proves her worth after the abject Haywire a few years back.
Fast and Furious 7 takes place back in LA after the events of this film and has a teasing post credit sequence that will bait those fans to come back once again. James Wan steps into the directors chair for the seventh film switching from the comfort of the horror genre. I found Fast and Furious 6 to be a highly entertaining film, and you’ll need to check your brain in at the door. To quote a cliché it ‘does what it says on the tin’, and doesn’t take itself too seriously.
Darren (1599 KP) rated Traffik (2018) in Movies
Nov 23, 2019
Verdict: Shock Filled Thriller
Story: Traffik starts when the ambitious reporter Brea (Patton) loses her big story and potential her job right on the eve of her birthday, her boyfriend John (Epps) wants to surprise her and with his friend Darren (Alonso) he gets a romantic weekend planned.
Heading up to the mountain location the couple find themselves in a gas station where confrontation is quick to find them with help stranger Red (Goss) along with gangs, showing a potential large group of different enemies. The romantic weekend takes a turn, first with the appearance of Darren and his girlfriend Malia (Sanchez), but again by a deadly gang of human traffickers led by Red, who will kill to keep their secret.
Thoughts on Traffik
Characters – Brea is an ambitious reporter always taking her time researching a story before throwing it to her editor, this has seen her get herself into trouble, losing stories and potentially her job. In her personal life it is her birthday celebrating among friends with a romantic getaway being part of it. This getaway will give her the biggest story of her career, when she finds herself targeted by human traffickers who want her in their collection. John is the boyfriend that is getting nervous about the getaway as he is about to propose to Brea, he gets hooked up by the friend that will give them the location and will need to help Brea fight back against the people after them. Red is the leader of the human traffickers, he can charm, but he will show his deadly side if anybody gets in his way.
Performances – Paula Patton is the star of the show here, she gives us a strong performance that shows us just how determined she is to survive. Omar Epps, Luke Goss and the rest of the cast all do a great job letting Paula shine through in this film.
Story – The story here follows a couple on a romantic getaway that get targeted by human traffickers who want to keep their secret safe. This is a story that is designed the highlight the horrific crimes of human trafficking, not just in America, but worldwide. Away from the message behind everything, we do see the mix of a home invasion, chase and fightback elements of story telling putting a firm light on the idea that women will fight back, in this case Brea. The way everything unfolds is mostly predictable which is fine, nothing really hits the intensity levels wanted from the film.
Action/Crime – The action is a mix of chases and fight between victim and captures, they are quick instead of being over the top. The crime side of the film does show us just how easily this operation can happen to the victims and how organised it can be run.
Settings – The film is set in the mountain range outside California where the people can pick and choose who they take.
Scene of the Movie – Escape.
That Moment That Annoyed Me – One of the main twists is too predictable.
Final Thoughts – This is a generic action thriller that does highlight an important message of the horrors of the human trafficking world that leaves Paula Patton to shine.
Overall: Important, but Generic.
Story: Traffik starts when the ambitious reporter Brea (Patton) loses her big story and potential her job right on the eve of her birthday, her boyfriend John (Epps) wants to surprise her and with his friend Darren (Alonso) he gets a romantic weekend planned.
Heading up to the mountain location the couple find themselves in a gas station where confrontation is quick to find them with help stranger Red (Goss) along with gangs, showing a potential large group of different enemies. The romantic weekend takes a turn, first with the appearance of Darren and his girlfriend Malia (Sanchez), but again by a deadly gang of human traffickers led by Red, who will kill to keep their secret.
Thoughts on Traffik
Characters – Brea is an ambitious reporter always taking her time researching a story before throwing it to her editor, this has seen her get herself into trouble, losing stories and potentially her job. In her personal life it is her birthday celebrating among friends with a romantic getaway being part of it. This getaway will give her the biggest story of her career, when she finds herself targeted by human traffickers who want her in their collection. John is the boyfriend that is getting nervous about the getaway as he is about to propose to Brea, he gets hooked up by the friend that will give them the location and will need to help Brea fight back against the people after them. Red is the leader of the human traffickers, he can charm, but he will show his deadly side if anybody gets in his way.
Performances – Paula Patton is the star of the show here, she gives us a strong performance that shows us just how determined she is to survive. Omar Epps, Luke Goss and the rest of the cast all do a great job letting Paula shine through in this film.
Story – The story here follows a couple on a romantic getaway that get targeted by human traffickers who want to keep their secret safe. This is a story that is designed the highlight the horrific crimes of human trafficking, not just in America, but worldwide. Away from the message behind everything, we do see the mix of a home invasion, chase and fightback elements of story telling putting a firm light on the idea that women will fight back, in this case Brea. The way everything unfolds is mostly predictable which is fine, nothing really hits the intensity levels wanted from the film.
Action/Crime – The action is a mix of chases and fight between victim and captures, they are quick instead of being over the top. The crime side of the film does show us just how easily this operation can happen to the victims and how organised it can be run.
Settings – The film is set in the mountain range outside California where the people can pick and choose who they take.
Scene of the Movie – Escape.
That Moment That Annoyed Me – One of the main twists is too predictable.
Final Thoughts – This is a generic action thriller that does highlight an important message of the horrors of the human trafficking world that leaves Paula Patton to shine.
Overall: Important, but Generic.
Kaysee Hood (83 KP) rated Magnus Chase and the Hammer of Thor in Books
Nov 20, 2017 (Updated Nov 21, 2017)
Still Sassy (1 more)
Gender-Fluid Alex
Abusive Elf Dad (3 more)
Loki
Ragnarok
Betrayal
So, I'll be honest and say I read this book back when it came out (Oct. 2016) and do not quite remember how I felt in terms of words about the second Magnus Chase book, but I can say I did enjoy this book as much as the first one.
We're able to gain a bit more insight to the main characters and be introduced to a non-binary character, which is interesting with the events going on right now with people figuring out who they are. Alex is well written without appearing as an icon to change views, simply to open the minds and introduce the reader to them.
Hearthstone's past comes into play rather largely when they have to go to his childhood home to obtain an important item for their quest. It kind of brings light to why the Elf is the way he is. The gang uncovers he plays a rather great role I will not spoil because you need to read the book.
To sum up what I do recall, the goal is to prevent Loki from escaping his bonds. A wetstone and sword must be found to do this. Sam is also being forced into an arrange marriage by Loki to a giant (very rude if you ask me considering she is already in one she is VERY happy with).
Read the second book if you liked the first one.
We're able to gain a bit more insight to the main characters and be introduced to a non-binary character, which is interesting with the events going on right now with people figuring out who they are. Alex is well written without appearing as an icon to change views, simply to open the minds and introduce the reader to them.
Hearthstone's past comes into play rather largely when they have to go to his childhood home to obtain an important item for their quest. It kind of brings light to why the Elf is the way he is. The gang uncovers he plays a rather great role I will not spoil because you need to read the book.
To sum up what I do recall, the goal is to prevent Loki from escaping his bonds. A wetstone and sword must be found to do this. Sam is also being forced into an arrange marriage by Loki to a giant (very rude if you ask me considering she is already in one she is VERY happy with).
Read the second book if you liked the first one.
LeftSideCut (3778 KP) rated Star Wars: Episode VI – Return of the Jedi (1983) in Movies
Oct 13, 2019 (Updated Dec 20, 2019)
A great but flawed entry into a groundbreaking trilogy
Return of the Jedi is a good enough closing episode of the original Star Wars trilogy.
A lot of the great things about the previous two films are carried over - the awesome settings and location, the unbeatable John Williams score, and the epic sci-fi vision that started in 1977.
By this point, everyone is familiar with all of the characters. Luke, Leia, and Han all return, and aren't really in any need of any further character development at this point. Not necessarily a bad thing as ROTJ can concentrate on rounding off the story.
The most divisive element of this entry amongst Star Wars fans are of course the Ewoks. Their inclusion is certainly a hammier direction for the series. Some people loved it, some absolutely hated it, and how big of a part they play during the films climax.
I personally am indifferent. I don't hate the Ewoks, but they're partly what makes ROTJ inferior to the first two. Still, not a scratch on what's to come *cough* Jar Jar *cough*.
We're still treated to some iconic moments - Jabba the Hutt and the Rancor pit. Vader and Luke finally squaring off. The speeder bike chase.
This shows just how much Star Wars still delivers three films in.
All in all, ROTJ is still an integral part of one of the most beloved film franchises of all time, and will always be important to me!
A lot of the great things about the previous two films are carried over - the awesome settings and location, the unbeatable John Williams score, and the epic sci-fi vision that started in 1977.
By this point, everyone is familiar with all of the characters. Luke, Leia, and Han all return, and aren't really in any need of any further character development at this point. Not necessarily a bad thing as ROTJ can concentrate on rounding off the story.
The most divisive element of this entry amongst Star Wars fans are of course the Ewoks. Their inclusion is certainly a hammier direction for the series. Some people loved it, some absolutely hated it, and how big of a part they play during the films climax.
I personally am indifferent. I don't hate the Ewoks, but they're partly what makes ROTJ inferior to the first two. Still, not a scratch on what's to come *cough* Jar Jar *cough*.
We're still treated to some iconic moments - Jabba the Hutt and the Rancor pit. Vader and Luke finally squaring off. The speeder bike chase.
This shows just how much Star Wars still delivers three films in.
All in all, ROTJ is still an integral part of one of the most beloved film franchises of all time, and will always be important to me!
Laura Doe (1350 KP) rated No Tomorrow (Killing Eve #2) in Books
Jan 17, 2022
I didn’t think that this series could possibly get better but it did. And I’m so glad that it’s turning out better than the TV series which I absolutely adore. That’s why I have to rate it 4.5.
We pick up exactly where we left off, with the person that Eve has identified as an informant and from there things quickly go wrong. Eve comes face to face with Villanelle before she abducts the person that Eve has just been interrogating.
We also see more of what Villanelle does best - her planned assassinations and watch her plan them out and play out either as expected or completely the opposite way to the plan. But whichever way they turn out, it is thrilling to read how Villanelle manages everything within her stride.
Eve starts to learn more about Villanelle and through a lot of investigating she works out Villanelle’s codename, although people don’t believe her, on a hunch. Eve is always a couple of steps behind Villanelle which she finds both frustrating and exhilarating, and Villanelle enjoys leading the chase.
The twist at the end of the book is not exactly what I expected, but nonetheless it made me want to carry on reading and before I knew it I was at the end of the book! I’m excited to read the next instalment in the series as I feel that it will be even better than this book.
We pick up exactly where we left off, with the person that Eve has identified as an informant and from there things quickly go wrong. Eve comes face to face with Villanelle before she abducts the person that Eve has just been interrogating.
We also see more of what Villanelle does best - her planned assassinations and watch her plan them out and play out either as expected or completely the opposite way to the plan. But whichever way they turn out, it is thrilling to read how Villanelle manages everything within her stride.
Eve starts to learn more about Villanelle and through a lot of investigating she works out Villanelle’s codename, although people don’t believe her, on a hunch. Eve is always a couple of steps behind Villanelle which she finds both frustrating and exhilarating, and Villanelle enjoys leading the chase.
The twist at the end of the book is not exactly what I expected, but nonetheless it made me want to carry on reading and before I knew it I was at the end of the book! I’m excited to read the next instalment in the series as I feel that it will be even better than this book.