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Leonardo DiCaprio: Anatomy of an Actor
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The Anatomy of an Actor series takes ten roles by a single actor, each studied in a dedicated...
Blazing Minds (92 KP) rated Puppet Master: The Littlest Reich (2018) in Movies
Nov 1, 2021 (Updated Nov 3, 2021)
All hell breaks loose when a strange force animates the puppets up for auction at a convention, setting them on a bloody killing spree that’s motivated by an evil as old as time in Puppet Master: The Littlest Reich. which was recently shown at the Fractured Visions Film Festival.
I remember many years ago, in those days of VHS back in the 80s/90s seeing the first Puppet Master movie, it was one of the movies that I loved, not for just the slightly gory bits, but also for the way that the puppets were created and animated on the screen, via stop-frame animation and practical effects as well.
I remember many years ago, in those days of VHS back in the 80s/90s seeing the first Puppet Master movie, it was one of the movies that I loved, not for just the slightly gory bits, but also for the way that the puppets were created and animated on the screen, via stop-frame animation and practical effects as well.
Bob Mann (459 KP) rated The Circle (2017) in Movies
Sep 29, 2021
Social Media involvement in political manipulation? Don’t be ridiculous!
Set in the near future “The Circle” tells a horror story of the social media age involving an omnipotent American corporate, pitched somewhere between being Facebook-like and Google-like (note, lawyers, I just said “like”!) Emma Watson (“Beauty and the Beast“) plays young intern Mae who, partly through the aid of family friend Annie (Karen Gillan, “Guardians of the Galaxy“, “Doctor Who”) but mostly through her own aptitude, lands a foothold job in customer services for the company. With the lush corporate campus fast becoming home, Mae is quickly singled out as having “executive potential” by the charismatic CEO Bailey (Tom Hanks, “Bridge of Spies“) and his more taciturn sidekick Stenton (US comedian Patton Oswalt).
Progressively brainwashed into believing the company’s intrusive snooping (a favourite motto is “Secrets are Lies”) is all for ‘the greater good’, Mae champions the cause until a tragedy rocks her world and her company beliefs to the core.
Whenever I watch a film I tend to form my own opinion first before checking out what the ‘general public’ on IMDB think. In this case, I must confess to being a bit surprised at our divergence of views: a lot of people clearly hated this movie whereas I confess that I found it very entertaining. Certainly with the alleged role of Russia in influencing elections around the world via social media, the film is most certainly topical! Many reviewers seemed quite upset that Watson’s character is such a ‘doormat’, in that her views are so easily manipulated by the corporate machine. But not every woman – as indeed every man – can or should be a Joan of Arc style role model in every film: why should they be?
I actually found her indoctrination into “the Circle way” as quite convincing, especially a creepy scene where two corporate lackies (Cho Smith and Amir Talai) say that they’re not checking up on Mae’s social life, but…. Watson enjoys extending her post-Potter repertoire well, but the talented John Boyega (“Star Wars: The Force Awakens“) is completely wasted in his role as Ty; the Wozniak-like genious behind The Circle’s technology. The script gives him very little to do other than stand around and look grumpy.
A wasted John Boyega with Emma Watson.
The film is sad in being the last movie appearance of the great Bill Paxton (“Apollo 13”) who plays Mae’s sick father and who died of complications following heart surgery two months before the film’s release (the film is dedicated “For Bill”). Tragically, Mae’s mother in the film, actress Glenn Headly (“Dirty Rotten Scoundrels”) also died suddenly at the age of 62, also due to heart problems, a couple of months after the film’s release. It’s surprising the film doesn’t have a “curse of The Circle” tag on it.
The film was directed by James Ponsoldt, who also wrote the screenplay with novel-writer Dave Eggers (“Away We Go”). I particularly liked the on-screen use of captioning (posts) which was reminiscent to me of last year’s “Nerve“, a B-movie film I rated highly that also had a string social media theme.
While the ending of the film is a bit twee – a movie definition of “being hoisted by your own petard” – it’s overall a thought provoking piece sufficiently close to the truth as to where society is going to raise the hairs on your neck.
Progressively brainwashed into believing the company’s intrusive snooping (a favourite motto is “Secrets are Lies”) is all for ‘the greater good’, Mae champions the cause until a tragedy rocks her world and her company beliefs to the core.
Whenever I watch a film I tend to form my own opinion first before checking out what the ‘general public’ on IMDB think. In this case, I must confess to being a bit surprised at our divergence of views: a lot of people clearly hated this movie whereas I confess that I found it very entertaining. Certainly with the alleged role of Russia in influencing elections around the world via social media, the film is most certainly topical! Many reviewers seemed quite upset that Watson’s character is such a ‘doormat’, in that her views are so easily manipulated by the corporate machine. But not every woman – as indeed every man – can or should be a Joan of Arc style role model in every film: why should they be?
I actually found her indoctrination into “the Circle way” as quite convincing, especially a creepy scene where two corporate lackies (Cho Smith and Amir Talai) say that they’re not checking up on Mae’s social life, but…. Watson enjoys extending her post-Potter repertoire well, but the talented John Boyega (“Star Wars: The Force Awakens“) is completely wasted in his role as Ty; the Wozniak-like genious behind The Circle’s technology. The script gives him very little to do other than stand around and look grumpy.
A wasted John Boyega with Emma Watson.
The film is sad in being the last movie appearance of the great Bill Paxton (“Apollo 13”) who plays Mae’s sick father and who died of complications following heart surgery two months before the film’s release (the film is dedicated “For Bill”). Tragically, Mae’s mother in the film, actress Glenn Headly (“Dirty Rotten Scoundrels”) also died suddenly at the age of 62, also due to heart problems, a couple of months after the film’s release. It’s surprising the film doesn’t have a “curse of The Circle” tag on it.
The film was directed by James Ponsoldt, who also wrote the screenplay with novel-writer Dave Eggers (“Away We Go”). I particularly liked the on-screen use of captioning (posts) which was reminiscent to me of last year’s “Nerve“, a B-movie film I rated highly that also had a string social media theme.
While the ending of the film is a bit twee – a movie definition of “being hoisted by your own petard” – it’s overall a thought provoking piece sufficiently close to the truth as to where society is going to raise the hairs on your neck.
Neon's Nerd Nexus (360 KP) rated Godzilla: King of the Monsters (2019) in Movies
May 29, 2019
Oh my God...
#godzillakingofthemonsters is overlong, overstuffed, bland & lacks the one thing that at bare minimum I expected from a movie about big #monsters #fighting, EXCITEMENT. Now I quite liked the first #godzilla movie & yes it was to focused on the human element but visually it was really sticking & I found its slow build up to the reveal of Godzilla intense & exciting so that when he's finally introduced fully his presence became that more intimidating & thrilling. Sadly although in this sequel the monsters are given way more screen time at around 2hours the human element is still far to overpowering. That would be fine but its all so #boring & only serves as exposition to move the plot along. Dialog is sloppy/bellow basic & repetitive, acting is average at best & no one is likeable. Story wise its incredibly weak/bare bones which makes me wonder why it takes so long to play out considering we are only all here really to see monsters #fight. Cgi is really dodgy in places & I'm not sure if this is a throwback to past films but it feels odd & disjointed because at times its also impressive like it suddenly found its budget again. For an hour & a half I found this movie terrible with nothing setting it apart from stuff like #sanandreas or #geostorm. There are big set pieces upping the pace but like those movies they are a hollow mess of washed out cgi/badly framed fights that just weren't exciting at all. Why a 3? something changes in the last half hour & things do get a little cool for a bit, the score becomes epic, cgi looks great, theres some nice visual touches, #animation has weight & #action invokes some thrill but by then its all a just a bit to late. Theres also some #beautiful artsy establishing shots at times too throughout the movie & the subtle metaphors about the effects of #nuclear #weapons/war & looking after our #planet are well implemented too but thats about it. Im still #excited for #GodzillavsKong but just hoping this is a case of middle film itis but for now there are way better monster movies out there as i cant recomend seeing this one at all to be honest which is such a shame. #shingodzilla #godzillamovie #kong #japan #anime #gojira #kaiju
Kim Pook (101 KP) rated Thriller (2018) in Movies
Jan 18, 2021
A group of children decide to play a prank on a boy called chauncey from school. He is tricked into entering an empty house where they chase him around wearing masks to scare him, he retaliates by pushing one of the kids and sends her over the balcony to her death, but rather than confessing that it was a prank gone wrong the children all tell the police that chauncey killed her and he is sent to prison.
4 years later Chauncey is released from prison and the friends have gone their desperate ways. We see how they are coping now, some are still struggling whilst others are living a normal life, that is until they find out that Chauncey is back. It turns out they have every right to be worried as he is understandably very angry and wants revenge.
In theory the movie sounds good and in some parts it is good, but unfortunately not enough to keep me gripped. In many parts the acting wasn't great, you could see it was a low budget movie and the music they used in scenes just didn't work with what was happening, its almost as if a random piece of music was picked and they thought "that will do". I also found I didn't feel any kind of connection to the characters, they didn't have much of a storyline and I didn't care really care if they lived or died. Sadly I won't be watching this movie again.
4 years later Chauncey is released from prison and the friends have gone their desperate ways. We see how they are coping now, some are still struggling whilst others are living a normal life, that is until they find out that Chauncey is back. It turns out they have every right to be worried as he is understandably very angry and wants revenge.
In theory the movie sounds good and in some parts it is good, but unfortunately not enough to keep me gripped. In many parts the acting wasn't great, you could see it was a low budget movie and the music they used in scenes just didn't work with what was happening, its almost as if a random piece of music was picked and they thought "that will do". I also found I didn't feel any kind of connection to the characters, they didn't have much of a storyline and I didn't care really care if they lived or died. Sadly I won't be watching this movie again.
Phillip McSween (751 KP) rated Zombieland (2009) in Movies
Nov 12, 2019
Great Cast Makes For the Perfect Movie
Four strangers have to learn to survive together during a zombie apocalypse. Talk about a movie that checks all the boxes, Zombieland does just that! It’s got a little something for everyone.
Acting: 10
Beginning: 10
The first ten minutes is a perfect setup for what you can expect throughout the movie. This isn’t your typical zombie-survival romp and I thought writer Rhett Reese did an amazing job of establishing that early. You meet and fall in love with the main character as he tries to survive a simple trip to the bathroom. You also learn how his “rules” have kept him alive so long.
Characters: 10
His name is Columbus, played by Jesse Eisenberg. He’s such an unlikely hero that you can’t help but root for the poor guy as he moves from one scene to the next. Many of the scenes would have played out much differently if it weren’t for his quirky personality.
The other three mains, Tallahassee (Woody Harrelson), Wichita (Emma Stone), and Little Rock (Abigail Breslin) add their own flare to the film as well. Tallahassee is a badass to the point where it gets extremely comical. His character motivation of searching for a Twinkie (literally!) is priceless. The ladies share a fun backstory that make them an intriguing pair. You throw all four together and you have a perfect combination.
Cinematography/Visuals: 10
Conflict: 10
Entertainment Value: 10
This apocalyptic adventure is a blast across the board from beginning to end. Even the backstories are exciting to watch. The characters help drive the story as you can somehow manage to get on board with each of their motivations for survival. The action is a blast and the slower moments are underrated gems.
Memorability: 10
Pace: 10
Plot: 10
Zombie movies have been done over…and over…and over…It’s a rare treat when they get it right and try to think outside of the box. I love that the film manages to take a familiar theme and make it fresh. Not only is the movie original, but it harbors some of the most memorable scenes in film.
Resolution: 10
Always nice when a movie doesn’t overstay it’s welcome. Zombieland ties up its story in tidy fashion, ending with a heartfelt bang. It immediately makes you want to watch it again.
Overall: 100
I have the utmost respect for the sheer creativity in Zombieland. Sometimes movies try too hard while others don’t try hard enough. This movie never feels forced and always feels in control of its own destiny. Even the small scenes are impactful, like the night scene where they are taking turns driving and getting to know each other in the car. Zombieland is a cinematic treat.
Acting: 10
Beginning: 10
The first ten minutes is a perfect setup for what you can expect throughout the movie. This isn’t your typical zombie-survival romp and I thought writer Rhett Reese did an amazing job of establishing that early. You meet and fall in love with the main character as he tries to survive a simple trip to the bathroom. You also learn how his “rules” have kept him alive so long.
Characters: 10
His name is Columbus, played by Jesse Eisenberg. He’s such an unlikely hero that you can’t help but root for the poor guy as he moves from one scene to the next. Many of the scenes would have played out much differently if it weren’t for his quirky personality.
The other three mains, Tallahassee (Woody Harrelson), Wichita (Emma Stone), and Little Rock (Abigail Breslin) add their own flare to the film as well. Tallahassee is a badass to the point where it gets extremely comical. His character motivation of searching for a Twinkie (literally!) is priceless. The ladies share a fun backstory that make them an intriguing pair. You throw all four together and you have a perfect combination.
Cinematography/Visuals: 10
Conflict: 10
Entertainment Value: 10
This apocalyptic adventure is a blast across the board from beginning to end. Even the backstories are exciting to watch. The characters help drive the story as you can somehow manage to get on board with each of their motivations for survival. The action is a blast and the slower moments are underrated gems.
Memorability: 10
Pace: 10
Plot: 10
Zombie movies have been done over…and over…and over…It’s a rare treat when they get it right and try to think outside of the box. I love that the film manages to take a familiar theme and make it fresh. Not only is the movie original, but it harbors some of the most memorable scenes in film.
Resolution: 10
Always nice when a movie doesn’t overstay it’s welcome. Zombieland ties up its story in tidy fashion, ending with a heartfelt bang. It immediately makes you want to watch it again.
Overall: 100
I have the utmost respect for the sheer creativity in Zombieland. Sometimes movies try too hard while others don’t try hard enough. This movie never feels forced and always feels in control of its own destiny. Even the small scenes are impactful, like the night scene where they are taking turns driving and getting to know each other in the car. Zombieland is a cinematic treat.
Nick Friesen (96 KP) rated The Circle (2017) in Movies
Jul 12, 2017
Tom Hanks (2 more)
Bill Paxton
The core concept
Unrealized Potential
There's a part early on the circle where the main character, Mae, is interviewing for a job at the titular company. The interviewer asks her what her biggest fear is. "Unrealized potential," she responds. That's pretty much my review of the movie. There's so much that could have been done with the great core concept of the Circle, but the potential was lost in poor writing and direction. The movie doesn't take the concept of questioning the benefit of privacy or lack thereof anywhere significant, and lots of screen time is spent on side tangents that also go nowhere. The Circle is perhaps most exciting in the final scene, when Mae pulls back the curtain on the antagonists, but it all comes to a screeching halt with no resolution. Couple that with Emma Watson's worst performance to date (she CAN NOT muster an American accent to save her life), and the Circle becomes a forgettable and not-so-thrilling thriller that not even Tom Hanks can salvage.
Lilyn G - Sci-Fi & Scary (91 KP) rated Jumanji: Welcome to the Jungle (2017) in Movies
Jan 31, 2018
Forced humor, cliches, and way too many jokes about male anatomy.
Contains spoilers, click to show
Okay, I'll start by saying that I did legit chuckle a few times watching Jumanji. I can't even recall why at this point, but there was definitely some laughter involved.
What stands out to me though (I watched the movie a few weeks ago) was all the things that annoyed me.
Like the African American kid from what appeared to be upper middle class whose mother made it seem like the team was his only hope of succeeding.
Also, the fact that it's of course the African American character in the game that is the one who loves alcohol and gets plastered without exercising any common sense.
Or, you know, the fact that it was just so funny to see Jack Black overplaying the 'female trapped in a man's body' thing to limp-wristing levels.
This movie could have been so much better than it was. But it was almost painful to watch. I was hoping we were moving past thinking that laughing at this type of crap was a good thing.
What stands out to me though (I watched the movie a few weeks ago) was all the things that annoyed me.
Like the African American kid from what appeared to be upper middle class whose mother made it seem like the team was his only hope of succeeding.
Also, the fact that it's of course the African American character in the game that is the one who loves alcohol and gets plastered without exercising any common sense.
Or, you know, the fact that it was just so funny to see Jack Black overplaying the 'female trapped in a man's body' thing to limp-wristing levels.
This movie could have been so much better than it was. But it was almost painful to watch. I was hoping we were moving past thinking that laughing at this type of crap was a good thing.
Maddi Zoe (6 KP) rated Three Billboards Outside Ebbing, Missouri (2017) in Movies
Feb 8, 2018
Casting (2 more)
Storyline
Dark humour
Simply brilliant
Contains spoilers, click to show
Martin McDonagh has delivered an amazing screenplay, with amazing direction. It is dark humour, which is not for everyone, but the dramatic storyline should still please movie lovers.
Frances McDormand is amazing as the mother of a girl who was raped and murdered. The story is poignant, very in your face and heart wrenching at times.
With supporting performances from Woody Harrelson and Sam Rockwell who are also amazing, it's no surprise it won Best Drama Motion Picture at the Golden Globes.
*Spoilers ahead*
The only disappointing thing is that we spend the whole movie hoping with all the characters that we will find the killer, and at one point we think we have found him. But I heard the audience collectively groan in disappointment when it wasn't him. And it was a disappointing ending to not get closure on the case.
But having said that, it is a style that McDonagh often goes with.
Frances McDormand is amazing as the mother of a girl who was raped and murdered. The story is poignant, very in your face and heart wrenching at times.
With supporting performances from Woody Harrelson and Sam Rockwell who are also amazing, it's no surprise it won Best Drama Motion Picture at the Golden Globes.
*Spoilers ahead*
The only disappointing thing is that we spend the whole movie hoping with all the characters that we will find the killer, and at one point we think we have found him. But I heard the audience collectively groan in disappointment when it wasn't him. And it was a disappointing ending to not get closure on the case.
But having said that, it is a style that McDonagh often goes with.
Awix (3310 KP) rated Chocolate (2008) in Movies
Mar 2, 2018 (Updated Mar 2, 2018)
Mmm, Chocolate
Yet another film about an autistic girl with prodigious martial arts skills forced to beat the living daylights out of dozens of gangland thugs in order to pay for her mother's cancer medicine. But a really good one, by the standards of the kung fu movie genre at least. From the director of Ong-Bak, Prachya Pinkaew, who almost single-handedly seems to have put Thai martial arts movies on the map.
The plot is, as you can probably tell, somewhat eccentric and quite possibly in dubious taste (the final boss battle sees the autistic kickboxing girl facing off against a teenage capoeira expert with Tourette's syndrome), but this just adds to the distinctive flavour of this particular chocolate. Terrific performance, both acting and athletic, from Jeeja Yanin. The fight scenes are stupendously well-choreographed, especially the climax (a vertical fight up and down the side of a building). I don't know which is more surprising: that this movie exists at all, or that it's real and also really lives up to its potential.
The plot is, as you can probably tell, somewhat eccentric and quite possibly in dubious taste (the final boss battle sees the autistic kickboxing girl facing off against a teenage capoeira expert with Tourette's syndrome), but this just adds to the distinctive flavour of this particular chocolate. Terrific performance, both acting and athletic, from Jeeja Yanin. The fight scenes are stupendously well-choreographed, especially the climax (a vertical fight up and down the side of a building). I don't know which is more surprising: that this movie exists at all, or that it's real and also really lives up to its potential.